Audrey Chen’s voice experiments meet Hugo Esquinca’s digital signal processing for an unsettling yet captivating 1h live session at Cashmere Radio.
Audrey Chen began her relationship with sound through the cello and voice over 30 years ago and since the past 15 years, her predominant focus has been her solo work, joining together the extended and inherent vocabularies of the cello, voice and analog electronics.
More recently, she has begun to shift back towards the exploration of the voice as a primary instrument, delving even more deeply into her own version of narrative and non-linear storytelling. She derives her sound material in continuous process, championing the “in-between” and overlooked. Regardless of instrument, Chen’s mode of experimentation touches both the abstractly beautiful and the aggressively unsettling, creating a kind of curiously imagined architecture, non-prosaic song or ritual that reaches beyond gravity or language.
Hugo Esquinca is a Berlin-based sound researcher from Mexico. In his work he investigates the diverse spatial-temporal relations deriving from transductive interactions between indeterminacy, thresholds of instability, micro temporality, digital signal processing and sonorous modulation at various perceptual, physical and material degrees.