- Comedy
- Interview
- Talk Show
- Chaotic
- Psychedelic
- Urgent
This is the beginning, the new format, ready for the next seasons… (MORE INFOS)
Really helped by Chat Gpt I let it write the résumé that is here. Written from the automatic transcription from Premiere Pro (bellow). I am surrounded by robots !
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Episode 00 of Zuper Wok marks both an end and a beginning. Framed as a return to zero, it loops through past themes — care, presence, breath — while opening new doors toward fluidity and philosophical shift.
The show opens with a recap:
“Previously on Zuper Wok, we silenced the head, listened to the belly, and let the heart speak.”
Live from the Cashmere Radio studio in Berlin, host Xavier is joined by Carmen, Gilbert (a philosopher), and Émilie (a body practitioner and gut therapist). Together, they explore crisis, softness as strength, and how to move beyond rigid modern structures.
A central highlight is a fictional sonic encounter between Isaac Newton, Albert Einstein, and Simone Weil in a black hole. Einstein reflects:
“We are no longer dealing with things. We are dealing with relations.”
Newton admits:
“I feel like a boy playing on the shore of the ocean of truth.”
This imagined dialogue dramatizes the shift from absolute laws to curved space, from progress to paradox. Carmen notes that crisis pushes humanity to evolve. Gilbert adds:
“Don’t panic when there’s a fire. Think about what you want to take with you.”
Later in the show, Émilie guides a Taoist body practice called the microcosmic orbit — a breathing technique to circulate sexual energy through the spine. It’s intimate, humorous, and surprisingly precise.
Other segments explore the sublime as rupture, memory, and loss — including a tribute to Victor, an artist working with leather and opera in a cloud of smoke. The blues is invoked as “the sublime of sorrow,” and tenderness is framed as a force of transformation.
The episode closes without resolution — just presence.
Zuper Wok 00 didn’t escape the dark hole —
since we are the light, we escaped through the sublime.
The light escaped, finally.
////
Transcription by Premiere Pro:
00:00:01:17 – 00:00:27:14
What's up? This is going to be a. Zoo. Provoke. The unusual issue of the season. This is number six, but this is also number zero. Now I'm practicing English fluently. I'm very surprised that everything is going as planned. Thank you. Kashmir. Had you done? You had that. I have to take it. All right. Zuko. More direct of Kashmir.
00:00:27:20 – 00:00:54:21
God, you got promised Zuko what ever you guys do better. Super proud of yourself. Live from the eye of the tiger. You know what I mean? Previously on Super walk. We silenced the head. Listen to the belly and let the heart speak. We cracked modernity open. Not with noise, but with presence. The revolution wasn't televised. It was whispered in the margins.
00:00:54:23 – 00:01:24:05
In glitch and slowness. In the invisible tenderness that holds the world together. We opened rooms. Room one said survival isn't loud. It's how you hold a hand without shaking. Room two said the body is a syntax glitch. Stay undefined. Room three said. Care is a form of resistance. And grief can glow. We stopped performing. We started breathing. We turned love into a verb and let the ego dissolve.
00:01:24:07 – 00:01:49:24
Not in conquest, but in connection. We remembered the child inside. Not as nostalgia, but as guide. We followed the play. The chaos, the breath. We didn't try to fix. We allowed. We shed. We let softness become strength. And maybe for a moment we stopped running. Maybe we heard the pulse. Maybe we touched something real. Now let's get back to the beginning.
00:01:50:01 – 00:02:20:12
Let's loop. This is zero. Nothing. A new start. Oh, what was that? Oh. That's right. All right. Here are the stars in the soul. Super walk. Super fresh out of yourself. Super Bowl, super fresh produce. Live and direct on cashmere. Radio.com. When we leap into the unknown, we prove we are free. Oh! Oh, fuck! Oh, fuck. Wake up.
00:02:20:12 – 00:02:56:17
Whoever walked on actin up this 19 were dry sick life on direct of cashmere radio.com. Super walk, super fresh. Radio. Live from Berlin. Water can flow. Oh, I can crash. Be water. My soup from 6 p.m. to 7:30 p.m.. Live at the wreck on Kashmir Radio.com. It's the Super Bowl, Zuko. Walk from the moon. Quantum poetry. Postmodern physics.
00:02:56:19 – 00:03:42:21
I don't know where I go in this new album. This is like an infantryman. I go ro negro ibukun Negro in control. Supreme law, bust moderne physique, flushed Gucci vintage kite, fluid intelligence, black matter, quantum poetry, fluid intelligence, infantryman, gravitational distortion, temporal velocidad de escape. Fisica. Postmodern video. Sacro fluid. Meta quantum boy Z. Heidegger. Lee. Rome fluid était transcendence Einstein paradox on Z.
00:03:42:21 – 00:04:25:06
Turn the shown height Einstein paradox. Metaphysical o v sexy fluidity I don't know where to go. Buku spatiotemporal stupor a metaphysical beleza hit rema victor sacral beauty. Tremblant nouvelle metaphysic science. Ecstatic z provoke I undress. Episode and episode A new episode number 000. We don't know where to go. This is the end of the season. The beginning of the new one.
00:04:25:08 – 00:04:54:09
But nothing ended. Nothing started as I understood and as I hope you also understood. On your side of the microphone that there's no end. There's no beginning. There is only unleashing sets being discovered through. You realize you don't know them, while after you understood them, they always meet together. Like last week, there are three. We have Carmen. Carmen is with us.
00:04:54:11 – 00:05:24:15
She's from Carmen. Mere cooking for life. We have also Emily, who is gets massage, and Gilbert with us. Who is his present time, which I can say. Guys, don't get fucked. There is meet us. They are all with us. We're going to travel through everything together. Nobody knows where we go. Nobody knows anything about what we are doing.
00:05:24:21 – 00:05:57:10
Even me, myself. I know sometimes I'm lost in time doing my things. But still I believe that in your place, you two understand what is truly going on in here, in this cashmere radio, in this hidden world of the German radio. Don't be ashamed to be beat. Once. Yeah, don't go there to be mean. Right? All right.
00:05:57:12 – 00:06:27:07
You better hope you like the ring in the. Super woke, super fresh radio zealot. I live and direct on Kashmir Radio.com. I whom you once called modernity. I am not ending in flames. I am ending in transparency. Not chaos, not apocalypse, but a quiet shift into something else. Something softer, something wiser. The opposite of modernity is not chaos.
00:06:27:09 – 00:06:52:20
It is fluidity, not a regression, not an escape, but a continuation. The path modernity could have taken had it not clung to power, to conquest, to control. Fluidity is not against you. It is what comes after you if you dare to let go. It is the adulthood of civilization, no longer based on domination, but on imagination, not transhuman, but human.
00:06:52:24 – 00:07:14:19
Human plus human, quantum, human wide human again. Modernity taught us how to measure. Now we must learn how to dream again. It taught us how to separate. Now we must remember how to connect. Modernity gave us tools. Now we must grow the hands to hold them with care. It is not about going backwards. It is about going through beyond.
00:07:15:00 – 00:07:38:12
The beginning is now. But it started 2500 years ago. Maybe always in Tao, in ubuntu, in the breath of the child, in the silence of forests, in the songs that never needed to be written. It started. But now the world has changed. The stakes are higher. The walls are thinner, the old scaffolding trembles and you are still clutching to the last pillars.
00:07:38:12 – 00:08:03:03
You must know this is not the death of structure. It is the return of form to motion, a force to flow, of pride, to presence. Fluidity is not weakness. It is strength with suppleness. It is not passive. It is alive. It is intelligence that listens. Imagination that heals. Quantum perception, instinctive governance. Inclusive ways of being. And new myths.
00:08:03:09 – 00:08:17:20
Born not from domination, but from tenderness. The end of modernity is not an end at all. It is the chance finally to become again what we always were. Not gods, but dreamers and makers.
00:08:17:22 – 00:08:50:10
Supervooc super fresh values. A lot from us. And Okay. Thank you. Said flash. Lightweight with Kevin. And let's get some loud.
00:08:50:12 – 00:09:13:24
It's clear video for June don't look like June. Jellybean to shady sob himself. Why not submit one. Key energy dancer trigger on the flash. It is Sandy de la Montana.
00:09:14:01 – 00:09:59:21
It don't include the cascade. The. I won't say more. Call Binzel. Don't worry. Yeah. Let me try. Cutie pie. Artist. One monthly photo to. Well, Kiki's love, but my sister. I feel. It the the the the flower it the low it it is saw it is was all along. The pool or too far? The wall.
00:09:59:23 – 00:10:36:19
Geomorphology. Don't tell us. Put it in. Miss. On a canyon by the default tool. Was it circular? Photo Patrick J cool. Cobain. Masuda. Excellent. I put no access to the point. I'll also I this our it was wider to say the properly point son. I'll sit like this out. They could also. We don't sit like it if you don't ball he big that's what this Sunday like they tell you their personal supply support not exist.
00:10:36:21 – 00:11:12:06
Is it. That's our wider our feet and more, Shit. I was just all these of the more, So it's perfect ever. No. For, for a lot. No. Year. To bring it bed watching. Turn it live. It's format. It should bring it bed. Watch it, turn it live in stock format. It should bring it back, watch it, turn it live in start format.
00:11:12:06 – 00:11:32:07
It should bring it super, super fresh. Produce a live install again. Be the king of the same bus. The bus package. Just put a lock on the town and coming from miles away, they be coming because they know how to it. And you know who don't you give me the clue who's trying to give me your brand. You don't really fuck with you.
00:11:32:09 – 00:12:03:08
You can make it through this shit on the ground. There they go. So when we get, we should be flooded with. Oh, come on, give me that. Come up. Let me already know. Who would you be to the sucking? I'm freaking it out to the people you from the random picking the a shit to bring you face. You turn it up for you to bring your face in, turn it up.
00:12:03:08 – 00:12:20:06
Format it, touch it and bring it back. You. You cannot leave. It's dark format. It touches. Bring your face, you turn it, leave and stuff. You like this. And as you start to give me ringing the bell. When it come, I be doing it and doing it well. Then I beat up the coochie and be making as well.
00:12:20:06 – 00:12:37:12
Trying to hide the smell of the bringing on the. And then you're the one with the strobe. So know what I want to do. But man everything come ready to go. Why we I, I can't get enough with the to put her under my spell. No, but I didn't. Mummy move it along. I hope you know you body didn't get to remove when you talk to the whip.
00:12:37:14 – 00:12:52:06
Back of the trunk. This way you belong after the yet to be the type of woman. You put it up straight. Make it to spike it. Because my movements don't come with me consistently. Go up and see my money. Just walk over. You just want to see how this thing in the fall, because I will get the stick and will be taking them long a little bit to the ring.
00:12:52:06 – 00:13:16:19
If they it. Oh man, if you don't bring it, baby, you cannot leave it stuck. It should bring you baby. You cannot even start from the touch. It will bring you. Baby. You cannot even stop you. If the God of the black sheet it. I'm back behind every single time I'm not dropping the shit as a rat I put niggas hate Mickey I'm close to the strap.
00:13:16:19 – 00:13:35:09
Because only bitches want to get up. Every time I just mention the knock in your whip. Come on, go. Who we do. We think it's fucking the blood. The mummy statue. Then the shaking me after the. They get the thing on the lip I little touch it, bring it, be it, watch it, turn it. Believe it's dark. Format it, touch it, bring it baby.
00:13:35:09 – 00:13:57:16
What you definitely instruct. Format it, touch it, bring it baby. Watch you turn it. Leave instead of format it, touch it, bring it baby. Watch you turn it, leave it. Start from it.
00:13:57:18 – 00:14:37:10
Bring it baby watching. Turn it, leave it of. Format it, touch it. Bring you baby. Watch you turn it, leave it up. Format it, touch it, bring it, baby. What? You done it, leave it stuck from it. Should bring it baby. But you cannot even start from it. Touch it, bring it. From.
00:14:37:12 – 00:15:07:03
Here for super, super fresh value. Super fresh produce. Not a lot. And here we go. We are live from the cashmere studio. Sitting in the salon with our people, thinking, working for us, with us taking time, to think with us. How are you coming? You're good. Yeah. You're good. Yes. It's not working because somehow sings.
00:15:07:05 – 00:15:34:14
Yes. It works. Sings. Just, improvised and made live. Can I hear you? Come in. Hello? Hello. Can I hear you? Gilbert is with us two. Hello. With a very tense cable. E is, Well, kind of official philosopher is, is raising bond in East Berlin, so it's a very credible, character in the show.
00:15:34:16 – 00:15:50:22
What about you? Come in. You're born in Berlin to. No, I'm not Berlin. You're not born in Berlin. I such it was only, character for Berlin. But you lived in Berlin, you know, for more than 20 years. More than 20 years. So we can see you. Your Berlin. No. Give. What can we say? She's a Berlin. Of course.
00:15:50:22 – 00:16:17:07
Of course she's a beginner. Just so. Yeah, well, my kids are anyway. So? So that's okay. You you you made, You made it happen somehow. And we have, Emily that is running in the studio with us two. How are you? Emily? I'm fine. Thanks. So you are sharing microphone? I don't know what is. This is very weird because we are supposed to be all, with our microphone, with my brother.
00:16:17:09 – 00:16:35:21
What's going on? Is this one working? If yours is not working, which is? This one is working with everybody. Everybody? Oh, it is working, you know. Come in. This is what is how is going on? How are you, Emily? I'm. I'm fine. You're fine. Yeah. Are you also happy that it's raining so much those days in Berlin for the trees?
00:16:35:21 – 00:16:57:19
Because everybody. So the trees falling down because they were so dry. Yeah. You know, I'm happy for the trees and the, mostly happy for myself because, I used to have, a certain allergy, so I'm just. It's like holidays for me this time. Just sweater. Jason can kill the skin, isn't it? Yeah. Yes it is.
00:16:57:21 – 00:17:25:10
Is very concentrated. Is with us. Is Dilbert from this website, which I will end up knowing by heart. Guest. Who? Gig Gagan. What? How do you say it? Very well. That what's really, Well. Guest hunt gig. Gig involve Geist. Who are Geist und gig in that the zeitgeist or David Geist. You know word Geist the time, the the gay of the present or the same.
00:17:25:10 – 00:17:44:07
Geist is the the spirit, the spirit of the present. So it's very contemporary somehow you can't be more contemporary than this. It's difficult to be. I was once insulted by a philosopher that it's not futuristic enough. So you can say that about King, but yeah. Oh, wow. But it's not futuristic. It's present. Then this is what we like.
00:17:44:09 – 00:18:06:07
And so I sent you messages. I send you quotes, I sent you images, I sent you many things. And we are discussing also a lot. Maybe you saw us in the Guardian talking with Gilbert, about things shaking our hands. No, no, no. Okay. But it happens a lot. This is something that is happening and the on you this time.
00:18:06:09 – 00:18:33:23
And you know what? It's seven. It's 18. 18 and it's 1818. In book, we have to listen to Gilbert look in the eye of the tiger. You know what I mean? All right. Okay, my friend. Savvy? You're calling me a modernist. And you're right. Not in the sense of what I'm aspiring to, but what I'm bringing with me.
00:18:34:00 – 00:18:58:15
And no, I don't think we will just leave modernity behind us. Like, we have never really gotten rid of antiquity, and we didn't get rid of our Stone age, either. The ancient reptiles are pulling the strings in our brains. After all the waves, the light, the glaciers, the particles, the storms, the love, the words. These rhythms are not made by us.
00:18:58:17 – 00:19:28:15
We are what's falling through the cracks of these eternally grinding rhythms. We dance like sawdust to the ground on our way down. We rhyme on these rhythms. Isn't that sublime? Isn't that putting us into place? Know thyself, demanded the Oracle, and didn't mean to fully understand ourselves, but quite the opposite. No, your limits, no your skin. And let's be honest, it's never been our strength.
00:19:28:17 – 00:19:52:19
And it's a shame, as all the magic is happening on our limits, on our skins. We are the successes now, and we need to keep questioning the inscriptions on the space where our human heart and software fall together into one. We've the marks of time forever tattooed on our tongues to question your tongue. Look at it. You will see it's forked like the serpent's tongue.
00:19:52:19 – 00:20:18:13
And you cannot really speak the new truth with the same old words. And maybe you will need eyes, new eyes as well. Our modern black box of certainty is turning into a black hole. Progress is collapsing into paradoxes, my friend is saying, and we've always been on this trajectory ever since Prometheus. Only now things begin to slide like glaciers on speed.
00:20:18:15 – 00:20:47:24
The poet philosopher was wrong. The fiery progress in its end is not just freedom and agency. It's a way of fleeing. Progress and form of manufactured fire is an attempt to delay the black hole of chaos, of Kronos, of death. One obvious feature of this is the ever growing teeth of risks. Because our deal so far is every monster we are slaying is giving birth to an even bigger monster that needs slaying.
00:20:48:01 – 00:21:19:15
And when you turn around, you will see a whirlwind of a million. Medusa is forming a black hole. All the future might be consuming us from the past. Man overboard. Let's. Let's circle back. What's the new deal? How can we escape this black hole? That's the billion dollar question. As the modernist would say, every transformational crisis of humanity is a good and maybe mandatory reason to develop new forms of socialization, new forms and rules of living together.
00:21:19:17 – 00:21:50:05
Revolution, evolution. You want to change the world. Let the world change you. Currently, there's no shortage on transformational change and crisis to both the objective like the glaciers on speed, intersubjective. The subject of crisis is mainly mirrored in the question what it means to be a human? What is humanity when cognition, creativity and socializing are being outsourced to machines?
00:21:50:07 – 00:22:22:04
It's really the most extraordinary thing that's happening right now, as if humanity is closing its eyes, tired of being itself, tired of feeling tired of experience, tired of love. We are outsourcing what it means to be human, to machines who are then becoming interchangeable with humans. This really changes everything. If we can transform ourselves and survive the loss of the truth that only true humans can be truly human, then the question is what will be our new ritual?
00:22:22:04 – 00:22:46:08
What will be our new constituting this? What will humans practice to assure each other kinship and solidarity? What kind of stories do we want to rhyme about ourselves? Knowing pi, calculating quantum and quarks, or decoding our DNA is probably not enough. Yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep yep.
00:22:46:09 – 00:23:08:24
Yak yak yak yak yak yak yak yak yak yak yak yak yak yak your mouth baboon. Primitive by poo. See if it's a mushy. For if I do my politics I see it. My first. She just saw it with the chef. She can come watch. You sure? I bet she mean we. We a time warp. Yeah, they're seeing it too, from late.
00:23:08:24 – 00:23:48:10
Y'all remember? I like to do it. I let you been yummy falafel for Josh for later for me. But girl, I sure don't want to go for the good dog. More generally, for every damn all that you males take ownership of the booze. Because I'm not. You never move it pops. I put it up for you. My you.
00:23:48:12 – 00:24:02:23
You, Eli! You.
00:24:03:00 – 00:24:27:11
Me? Pretty much. See puke watching me fall in my shorts. Back to me. Don't crash back to my size. You respect it. Don't tell me you respect me. The damn sure it's feckless. I don't respect the lay mommy fair Alex Peacock. What do I do? I fucking phone, I barley Frito lay. She look burrito lady, some party for the day.
00:24:27:11 – 00:25:03:16
Don't get it, get it, get you. Did you? How did it get busy, Lieutenant? Let me see. Stella. Oh, it's the Drake to day. My tell, tell you sit down to feed me. We should see the allies. They like to chill the lobby. Jesus. I was just your sister, Eli. You.
00:25:03:18 – 00:25:10:13
Better.
00:25:10:15 – 00:25:30:02
Stop it! Got fucked. On the bus to the pool. I say pass me. Ha! Yeah, sure. Is that cool, y'all? But to the boys. Not seen it. But I saw that she let y'all go out on her own box in Wasilla. I saw you, assistant. Oh, the keynote at McDonald's. I preached to some good. I'm planning my for it.
00:25:30:07 – 00:26:07:16
Don't punish. I'll play that bitch too. I hate to take this good on me. Thought I bullies excuse. Oh, no. You did what you got. We did she oubliette. Jerry. Shit! Fire! Oh, shit. Shit, shit I got she said she didn't sign. No cost you more socialism. It spoke out in the streets. You said stupid, I freeze it and then.
00:26:07:18 – 00:26:21:07
He my. You.
00:26:21:09 – 00:26:34:10
In my. You. Ready?
00:26:34:12 – 00:26:48:01
Because he. Super Bowl crab. You're at cashmere. Boom! Com. Get.
00:26:48:03 – 00:27:08:20
You man overboard. Could is was the title of the text that Gilbert, just read for wrote and read for us. You didn't hear it, but people just stood up and approached. It was like, like a mess inside. Everybody was shocked because they didn't expect so much energy in their body, listening to a text. So now we can speak about it.
00:27:08:20 – 00:27:29:03
What what did you what did you think? We we're not going to paraphrase it because, paraphrase is some, some take it apart, some some how a week. Maybe you're listening to this podcast after, that it happened. So maybe you can go back if you want to hear it again, because it's pretty dense. It's too pretty. What did you think about it, Carmen?
00:27:29:05 – 00:28:06:23
I thought on the first time and it kind of was a bit dark. So. And I think to as a as man her to evolve, we kind of need some crisis because, whenever we have, we are in crisis. We are, expected or we need to find new solutions. We need we need to find new solutions, solutions we wouldn't come up with when our life would all be smooth and loving and nice, which is wonderful.
00:28:06:23 – 00:28:32:13
And we also need these phases, too. And don't get me wrong, not the whole life needs to be in crisis. That would be horrible. But on the other hand, all the evolution comes from some, some kind of crisis in nature and in manhood. Yeah, yeah, I agree, you can you can rebound, of course. So this is a way of putting down roots.
00:28:32:14 – 00:29:00:06
And I think that's, that's exactly the, the, the, the thing that I, that I am subscribing to is to say when there is this crisis, don't panic, flail, run away, lose your hair on fire or something. But, you know, spend the thought. What do you want to take on board? What? You what you, got with you from, you know, from from what you inherited as well from, the world before you.
00:29:00:06 – 00:29:42:23
So don't chuck it all out the window just because, there's a little fire somewhere or there's a crisis. But, Think what you want to take a long on on the right to to the new frontiers. Yes. I mean, what did you what did you think, of this text or, what I heard is, is about, the purpose of it, all this sinking, in between modernity, fluidity and maybe about, and through the crisis and but yet what I understood is what's your purpose?
00:29:43:00 – 00:30:17:09
What's your goal? By leaving all of this, where do you. You said just now that what's what I'm I'm carrying, with me? It's I think it's precisely, precisely about caring and about, what's those count for you? What's important, what matters. And maybe that's the whole point of it. Let's. Yeah. Well, so what what Savi said earlier, or someone in the jingle about, the new, the next myth.
00:30:17:11 – 00:30:39:18
What are we going to tell ourselves? And is it is it a story of tenderness as a service suggested that that would be something I, I would really like to take along because, what you can see with many futuristic, movements is, that exactly that is going, to miss to to that that's, that's what they leave behind sometimes.
00:30:39:18 – 00:31:06:01
Right. It's, often very, focused on technology, on acceleration, on future or, you know, and. Yeah, but that's what I mean with, you know, don't let's, let's not get overboard and fall into the water and drown with all our feelings, our tenderness. Leave it, leave it to the machines. That would be, the wrong kind of, forward.
00:31:06:03 – 00:31:45:18
But, yeah, in your house, you start to think. And maybe you are shaken. So, maybe it's good to take a brief, we're going to do a pose. We're going to keep on discussing. Of course, we are trying to escape the dark hole today in this. Amazing. As you look, when you look at the picture. You better focus on.
00:31:45:20 – 00:34:00:07
The.
00:34:00:09 – 00:34:32:11
Holy shit. I wanted to talk about sublime. But finally sublime, I realized can be soothing. It can be the death. It can be the love. Or it can be, The beauty of, everything is a face, then is a face. But which is your face? Let's go back in the dark hole. I propose you to do a jump in a dark hole hosted by Simone Veil, a French philosopher.
00:34:32:13 – 00:34:58:10
And, it's a very special, meetings from nowhere. There are. There are only two people. It's Einstein. Put Newton in a dark hole, presented by Simone Weil. It's like, something that was never done. Honestly, I was very surprised that I could do it, today, because, it's a thing you can do normally. It's not perceived to be done, though.
00:34:58:11 – 00:35:22:08
It's good that you do it today. Yes, it has to be someone else to do it. So have you expectation. Do you think something amazing will happen? Of course. But what can happen? Expectations. I think that, Einstein was, really, really far from, quantum physics. So that will be interesting. I think it's related. Duck.
00:35:22:08 – 00:35:56:04
All in quantum physics. Yes. Okay. Yes. This is. But because, the Einstein realized that could be some dark holes. I guess Newton would just throw an apple at Einstein. That's what I'm thinking. Yeah, that's so much. Oh, that's at some hours that can happen, but it's it's an a big upgrade because Newton is somehow the one that defined materialism and is is science is is he's a science that a kid can can improve himself by growing up and design all modernity.
00:35:56:04 – 00:36:08:20
Somehow Newton is somehow one of the masters of modernity, and Einstein could be one of the masters of fluidity and developed and push things to another level.
00:36:08:22 – 00:36:30:17
Sometimes when you are into a dark hole, you don't realize it. But when someone is very abstruse, it's that you really feel alone. Oh God. Superoxide, you're at Kashmir from.com. Get. That's, It's not.
00:36:30:19 – 00:36:55:08
Uncommon. Well, I have walked through hunger, silence, awe and grace. I speak not from above, but from the edge. I was asked to host this encounter not because I am wise, but because I know what it means to stand in the dark and not run. This is not a debate. This is not science fiction. This is a black hole, a real one here.
00:36:55:14 – 00:37:20:15
Even light cannot return here. Thought slows down, bends and sometimes breaks. But that is why we are here with me today. Two minds that shaped your world. Sir Isaac Newton, the architect of laws, the master of water. He saw the apple fall and taught the heavens to obey. And Albert Einstein, the dreamer of curves, the rebel of certainty.
00:37:20:17 – 00:37:45:04
He bent time and set matter dancing. I brought them here to the edge of physics and philosophy. To ask what happens when our systems no longer hold what remains? When the light is gone, we will not fill the void. We will sit with it. Gentlemen, the hole is open. The light has left. You may begin. Good day, Madame and sir.
00:37:45:06 – 00:38:05:12
I do not know your names. But I greet you with respect. This place. It is most unusual. I do not understand how I arrived here or what this place truly is. Nothing behaves as it should. Even the silence seems to bend. Your name is Isaac Newton, and the man before you is Albert Einstein. You've never met, but you've shaped each other across time.
00:38:05:14 – 00:38:28:00
This is not a room, it is a boundary. You are both here because the world has changed and the mind must follow. You ask what force brought you here? I would say gravity, but not the kind you knew. Not a force pulling apples to the ground, but a fold in the fabric of space itself. A star much heavier than our sun collapse under its own mass.
00:38:28:02 – 00:38:53:11
It folded space into itself. The result is this a black hole you are standing near its boundary. The edge. The place where light slows down and vanishes. We call it the event horizon. Nothing that passes this limit can return not because it is forbidden, but because the structure of space itself no longer allows it. And in your time, the universe was a grand machine.
00:38:53:13 – 00:39:16:21
Precise, predictable, obedient. But in mind, we discovered that matter and time are inseparable, that space can stretch and time can bend. That energy and mass are two faces of the same breath. My name is Albert Einstein. I was born long after your death, but I was raised in your shadow. Your laws of motion were my foundation. Your concept of gravity.
00:39:17:01 – 00:39:39:13
My first window into the invisible. And yet I began to see cracks. Light gray instance refused to behave like you said. It moved at a constant speed. No matter how fast the observer moved, that changed everything. I had to let go of your absolutes in order to find new ones. That journey led me here to this place where even time hesitates.
00:39:39:15 – 00:40:00:06
And you, you have been brought here not by accident, but because your mind dared to measure the heavens. And now we are both standing at the edge of what neither of us can predict. You are the builder of laws. Me the dreamer of curves. And her the voice that speaks when both fall silent. But gravity is a force I described to clearly.
00:40:00:12 – 00:40:25:19
F equals g times m1 times m2 divided by r squared attraction. Proportional. Universal. You described what we felt, but not what space does. Gravity isn't something that pulls. It's something that bends mass. Curved space and curved space tells mass how to move. But time is absolute. Events unfold in a single order, measurable by clocks. Not here. Clocks slow down near mass.
00:40:25:21 – 00:40:54:08
Two observers will measure time differently. There is no single now. Then everything I knew was incomplete. Not Rome, just a local truth. Your laws are still useful in some places. Small speeds, weak fields, but near the speed of light or near massive stars, you must bend. I once said, I feel like a boy playing on the shore of the ocean of truth.
00:40:54:10 – 00:41:22:08
I now see the ocean is deeper than I imagined. You looked further only a little. And even I reached my limits. I never managed to unify gravity with the quantum world. There is still mystery. And that is where beauty lives. You've both spoken of force and of curves. But this is not only about gravity, it's about vision. So I ask you, Albert, what changed?
00:41:22:12 – 00:41:46:09
What truly changed? What changed? Everything. The world is no longer built on fixed laws and solid truths. We left the cathedral of certainty and stepped into the storm. You built a world, Isaac. Where matter was king with a universe could be weighed, timed and solved like an equation. That world was the modern world. But in my equations, time flows differently depending on where you stand.
00:41:46:15 – 00:42:14:04
Mass bends reality and light. Even light doesn't always move in a straight line. We are no longer dealing with things. We are dealing with relations. There is no view from nowhere anymore, only entanglement, only position, only the observer inside the system. This is not just physics. This is a shift of consciousness from materialism to fluidity, from objectivity to participation, from what is the truth?
00:42:14:10 – 00:42:34:21
To where are you standing when you speak? This is why your world feels broken, Isaac. Not because it failed, but because it couldn't bend. Then it is not the universe that is unstable. It is our vision of it. But maybe it always has been. I thought I was at the end of something, the crown of understanding. But now I see I was only at the beginning.
00:42:35:01 – 00:43:02:18
We both were on the truth. The truth isn't collapsing. It's unfolding layer by layer, bending, shimmering, alive and strangely. I'm relieved. Relieved that it's not simple relief that the cosmos resists clarity, but it keeps secrets, curves, paradoxes. Albert, what have we worked together? What if we wrote new equations? Ones that brief, ones that twist like space itself? Can we start from zero again?
00:43:02:20 – 00:43:35:02
Not to conquer, but to play together? Are you dead also, there's more to write, more to ask, more to dream. Albert, are you dead? Am I so? Yes, you are dead. But here you live here in the breath of those who listen in the space between question and silence, in the infinite present, because nothing truly disappears. If it still has something to say, if it still shines, if it still burns a little in the minds of the living, an idea can outlive its body.
00:43:35:04 – 00:44:04:00
A thought can bend time. A question can mark the night sky like a comet. Bright, brief, unforgettable. Even from nowhere. You scratched your names into time. You carved your curves into the invisible. You left the equations that still pulse like stars. Welcome to meetings from nowhere and welcome to super. Will.
00:44:04:02 – 00:44:35:17
I know you because I want you to know that if I dare break your focus, your focus, your focus on me. Key phrase that no need to focus on. Yeah. Oh, yeah yeah. Go, guys. Deeper. Yeah. Okay. Stupid rest. Easy break. Fix it. Crash. It can melt the gray chocolate point in the press. It's not working. Click. Erase it right again.
00:44:35:17 – 00:45:19:01
Face it, save it, load it. Check me. Right. It's a good thing for feedback. It's crap. It's offensive. But look back and look at it. Sit back and look at it. It's in the kitchen. It should be live. It stood up on that. It. Hey! Hut hut hut hut hut! Hey hey hey! Hut hut hut hut hut hut hut hut hut hut!
00:45:19:03 – 00:45:45:21
It's very clear that, From that it should bring it back, but it's definitely the, format. It may return. It may be stuck on data and it live to tell it, bring it back, watch it, burn it, live it, format it and should bring it back once it's done. It needs more energy and it should bring you back on that.
00:45:45:21 – 00:46:16:00
It technologies it uses break it. It's it's a chance to chance in a sense. It's right. It's good space to say to make this right. Like it's make it. Rocket ship brings it, but it's never. Shall I view it to ship, sir? It's gonna get crushed. It's like I said, it's it's dancing. Next, I should bring space to TV shack on that.
00:46:16:00 – 00:46:33:12
It's.
00:46:33:14 – 00:46:56:16
Super super super super fresh radios. A lot of amazing people are dancing on zoo table of. This. Talent is crazy in here. The kids are upside down. Everybody's crazy. I'm saying to people that just join us in the room, there would be a blind test that may allow you to have a free drink. Like a free water was filtered by your quantum filter.
00:46:56:18 – 00:47:20:02
So how did you feel? Free to play. It's it's going to be soon. Some some Italian friends just joined us. We own Kashmir Radio. This is, number zero zero of our viewers. This is the last one of this season, and we are still with, Gilbert Almeida und Carmen und de Kingdom. What did you think about this jump in the unknown, in this dark hole?
00:47:20:04 – 00:47:47:14
You were a perplexities, like we say in Latin. Gilbert. Okay, okay. What? I was thinking about the dialog we just heard. Yes. Yeah. Amazing. I mean, a dream come true, right? Like, who didn't want to hear Einstein talking to Newton and Simon while, being the moderator? That's just a dream come true for me. Yes. Me too.
00:47:47:14 – 00:48:06:18
I was, I was shocked. I was shocked when the machine gave me this, thing because I have this relationship with my machine. And now when I'm dreaming, I dream of things in the morning. I have the things I've made. Yeah, but you know why? Because now. Now the world can bend, right? It bended till my computer.
00:48:06:18 – 00:48:38:11
Yeah. No, it bends. And Newton's apple just didn't follow the bend. No, no. It rebounded. Emily. What? Precisely. But first, what I loved about, this, conversations of nowhere is that I felt that I really understood, the quintic versus, Newton. So that's the first thing. And it's talking about, what's your, referential.
00:48:38:13 – 00:49:15:04
Yes, we could say that this. Well, yeah. And Newton says there was only one, so he just said his physics low and, only one referential. And the quintic physics shows us that there are a lot of. Exactly. And so I think he's super happy now. Exactly. So, so it's it's about, of course, it's about modernity, but not versus fluid, you know, and that's exactly what I learned because it was really, related to your text about, it was, I noted them, down.
00:49:15:06 – 00:49:37:08
It was it's not breaking. A world is just unfolding. It's it's not. But the truth. Yes. It's unfolding. That was, hidden verse, before you speak, coming in the first text about, the end of, modernity, it was, fluidity, the opposite of modernity. And nobody. No, it's not it was it was a trap somehow either.
00:49:37:14 – 00:50:01:22
In that text, there is a complete absence like we see in Latin, a formula. It's a continuum. Yes. And that's really important to know that, and it's about this expression. Don't throw the baby with, with water. How do we seen gentlemen come in this, expression? She sneaks this baby in, but he knows. Yeah. So what did you think about the.
00:50:01:22 – 00:50:19:14
But this, meeting? In no way. Well, nobody who is supposed to host this show, but it's a new version. Is that code is the first episode. It's going to be only duos. Like meetings from two people, hosted by someone else. But your clone is going to be part of the show. I am. It's a surprise for you, Gavin.
00:50:19:18 – 00:50:45:04
What do you think about what happened in the dark, Lord? Well, I think it's absolutely amazing. And it totally proves how different theories can exist, exist next to each other. There's never, like, one or the other side. True. The truth is, somewhere in between. And the truth is always, And you know as well. Not not the ending, but.
00:50:45:04 – 00:51:10:09
And, this is true. And the other side is true. So we are in multilateralism. Well, yes. Yeah, in a way, unilateralism and maybe may be the truth. The truth would be the, the way. Yeah, yeah. And not to go the way and not the goal. Yeah. I like to repeat hard core sentences in the, in the.
00:51:10:09 – 00:51:31:08
True. Because, it's so true, don't you think? It is totally true? And, Fuck, I forgot. Good. I when I just wanted as a as a philosopher, as the house philosopher here, I would want to interject with one thought. Yes. Two things can be true, but not two opposites can be true at the same time.
00:51:31:08 – 00:51:53:14
Right? So that that just shows how the world is multi dimensional, and not just like Newton, predicted or just like Einstein predicted. Right. It's the best place for for both series without them contradicting each other. It's all about, the perception of the things. I mean, your reality is not mine and mine is not yours.
00:51:53:14 – 00:52:16:12
And, we only perceive what we think is true because we have so many filters in our brain that only the our truth will get through. And the other one is going to be, that that. Yeah, that's an opener for at night long discussion because I, I have so many things that I wanted to say in opposition to what you just said is a is it.
00:52:16:12 – 00:52:34:04
Oh, I'm so curious about it. And I wanted to see opposition to what you just said. Is it is it. Oh, I'm so curious about it. I want to listen to what you just said. I, oh, I'm so curious about it. I.
00:52:34:06 – 00:52:38:22
Say.
00:52:38:24 – 00:52:44:09
I.
00:52:44:11 – 00:53:17:11
I. I we just fell in the dark hole because it was an open discussion. Suddenly the hole opened, but not the dark hole. A hole to the light, to the doors, to the windows at open discussions. It's kind of a sublime moment, and it's maybe the perfect moment before Emily's going to talk to us about sublime is that we are listening to what Foucault has to say about sublime.
00:53:17:13 – 00:53:42:10
How do you feel home from 6 p.m. to 7:30 p.m. to, like directly? Has the radio got five even for that? The sublime is not a category. It is a terror, a rupture in the fabric of what we thought we could contain. Kant tried to systematize it. Nietzsche tried to write it. I say, let it cut you.
00:53:42:12 – 00:54:06:07
The sublime is not a mountain. It's not the storm. It's what happens in you when the form collapses and you realize form was never enough. It is the moment reason stares at its own limits and instead of retreating, laughs. It's not about beauty. Beauty is docile. Beauty is for galleries. The sublime is for nights where the sky refuses to end.
00:54:06:09 – 00:54:31:21
And you feel something ancient shiver inside your ribs. Kant saw it as the triumph of reason over chaos. Nietzsche saw it as chaos dancing. I see it as a threshold not between man and nature, but between what you are and what you could be if you dared to step out of the cage. Hold yourself and light. Light is not clarity.
00:54:31:23 – 00:55:11:11
Light is the thing that makes shadows possible. Light is the violence that exposes the truth and strips away comfort. There is no illumination without the risk of blindness. And maybe that's the most sublime of all to see clearly and still choose to walk into the dark because, superoxide you at Kashmir. Com it's a it's. Sometimes I just breathe and I think it's sublime, but, that's my definition of sublime in the sublime.
00:55:11:13 – 00:55:46:03
Media is another one. Maybe. Yeah. Thank you. To speak of the sublime is for me to speak of a dear friend, Victor. He was a fashion designer, and the visual artist working with memory the goddess, memorizing the history, building materials like Paris, and is felt in his studio. He listened the opera while working with demanding materials like leather, ceramics, aids and henna tubes.
00:55:46:05 – 00:56:18:08
It shaped matter, told his story and through that elevated it, sublimated it. He spoke that the sublime Ella Bells sings a sublime is so. It's the sublime as if, as if only the blinding, powerful light of the sublime could put him out of his darkness is smoked hush all day, one joint after the other. Just to keep from falling.
00:56:18:10 – 00:56:51:05
Falling back, rising towards the sublime. Through a veil of smoke. Building a cloud, a cloud of smoke. Over the stairway that leads to the abyss. As a true drama queen, he this is story was filled with wounds so deep that only the sublime could soothed them with me. This magnificent, this magnificent friend. Sorry. So with me this magnificent friend was care.
00:56:51:07 – 00:57:37:18
Love and encouragement with others. This capricious being could be unbearable and ungrateful. His creation was sublime, intense, committed, caring. 1001 stories. This sublime as an antidote to the black hole. The sublime that illuminates, that amazes, that blinds, that burns the sublime as a polarity inseparable from darkness, from the void. I see polarity as an absolute compass, the absolute as fixed concept, an archetype, the absence of movement, of as the absence of life.
00:57:37:20 – 00:58:09:14
So then, what's the sublime as fleeting beauty, like a flash of light that guides us and enchants us. That lights up our darkness. Well, the art of our story lies like a seed in the earth carries the promise of a magnificent tree. Super walk the super fresh produce gala from Berlin, live and direct from Kashmir. Radio.com. Super super super.
00:58:09:16 – 00:58:30:15
Okay, I do feel free to send this message. I received, many videos of people crying because they are really moved by what is said in this show. I'm very, very, very pleased to receive this kind of message. It's kind of subliminal for me to to realize that, you're shaking. You're shaken by what it said. You were almost crying.
00:58:30:15 – 00:58:54:20
Gilbert. YouTube. Yeah, I see that you just don't like to be seen, crying, but, that's okay. But it makes you beautiful. Thank you. It's, Yeah. No, it's a very. It was very beautiful text. I thought. Yeah. Thanks for that. Emily. Come in the world on living. I didn't ask you to to write anything because your clone is going to be part of the show again, so you don't have anything to do.
00:58:54:20 – 00:59:17:12
Things are made for you. So what did you think about the. You have something to say about sublime? Do you yourself, are you touched by sublime? Do you think things are sublime? Sometimes when you wake up, you see the sun. You see all the trees. Amazing. Of course, of course, definitely. Yes. You can describe. It's fine.
00:59:17:12 – 00:59:47:04
Also. I mean, everybody's crying here. We have wet eyes. Yeah. Crying is always an option. And crying can be sublime too. Because. Because sublime is is somehow making you fall on the floor and somehow, at the same time, taking you over the sky. It's ascending and harassing. Yeah, that's the definition of sublime. Exactly. This is why I'm saying it.
00:59:47:04 – 01:00:05:12
You see, I'm seeing other things that the reality is it blues is blues. The blues music. Blues is from the death. It's the sublime from the deaths, okay? From the lost, from the missing things. Okay, okay. Of course, the blues and bad conditions. No, the blues is from the slavery. No, but this is what blues is doing to me, right?
01:00:05:12 – 01:00:28:24
I it's what it slows me down to the ground and I'm going to cry. And I want to, So you celebrate and dance at the same time. The sweet pain. So that, so that which is the Portuguese world that doesn't exist in French and in other languages, it's to be happy with Spain. Absolutely. Somehow. Maybe it's time to play Luther.
01:00:29:01 – 01:00:51:18
What ever you brought more the the eye of the tiger. You know what I mean. All right. And we have, very, very good, game for you. I think I have a very good game. Can you be. Excuse me? I have a game to propose. You. You have a glass. You can gain a glass of water. That was filter by your quantum filter.
01:00:51:18 – 01:01:11:19
Okay, so it's a song. It. Can you recognize a song? Okay, I have I have someone who is coming from France. You still though, you have to listen to the track to. Are you there to the. Okay, okay. He's with us. So this is a very old track to to to find. I put all my best in this show again.
01:01:11:19 – 01:01:49:02
Okay. Focus. It's it's it's now how in the world with. Out from the. But it he had make it disappear. He just with this I know it's somehow I don't know it's. Yeah. Deep in my brain the are the it was it is it, yes. It's Michael right. You know, how can the other one standing there behind.
01:01:49:04 – 01:02:16:09
No. Was the picture okay? Sorry. We, that one. And, when we, revoked the which I heard is the I mean, we, the, you know, that it's a wild thing. Yeah. I was raised in the park. We did, let us, Diva. That's it. That's really. We don't need another era. Yes. We don't need another.
01:02:16:12 – 01:02:41:00
Yeah. You get it, then, Emily? You want you want one glass of water? Because somehow it was something I was telling me that we don't need anymore heroes. And, Tina Turner only sing so well. A beautiful but long time ago, she was so visionary, you know, with men. Max Allen, the romance.
01:02:41:02 – 01:02:55:12
Out from the racket. And break the sign stage this time.
01:02:55:14 – 01:03:13:08
We are the children. Last generation, last generation. We are the ones behind.
01:03:13:10 – 01:03:20:10
And I'm. I'm.
01:03:20:12 – 01:03:50:07
Not you. Okay. We're not here to, You know, it's not. It's not what? We are not here to, listen to some 80s drugs. This is was never, never, never the point of this show. It's just that this is somehow, a show. A postmodern truck is saying what we don't need anymore. Because postmodern is where in the t modern postural somehow they were until modern with was right explanation of what should be killed in the modern world.
01:03:50:07 – 01:04:11:22
But they were not postmodern because they had no yes and no thing to grip on, to get on to, to transcend, to go beyond the modernism. Yeah, it's the hardest part. When the old world was falling apart and the new things are not there yet to grab them first is deconstruction. It's about the volume. Maybe you you need to put it higher.
01:04:11:22 – 01:04:34:05
If you're listening to this show, you do kind of podcast way. Thank you very much for listening. Time with us. And if you're listening it with us now, it's Berlin. It's precisely 7.4. And we gonna listen to the history of fluidity, which I propose you now. And I appreciate that you're listening to this show with us.
01:04:34:05 – 01:04:58:09
This is Kashmir Radio and Bravo that I, got your cover of the truck. I hope you enjoyed the weather. Kashmir. You.com zero. What do people to more better walk super proud of yourself. Live from the eye of the tiger. You know what I mean? All right. Modernity did not fall from the sky. It was designed carefully. Piece by piece.
01:04:58:11 – 01:05:29:22
Plato gave us forms. Perfect, immobile, eternal. Aristotle classified the world. What is, what isn't, what fits, what doesn't. The cuts split the soul from the body. Newton turned the cosmos into a machine. We call this progress. We erased the fog. We cleaned the mind. We stretched time into a single line and placed ourselves at the center. But something never stopped flowing.
01:05:29:24 – 01:05:56:23
The History of Fluidity by Carmen Myers clone super super fresh radio zealots live and direct on Kashmir Radio.com. Long before the modern West tried to solidify reality, before it drew borders, dissected time, and measured the sky, many cultures had already developed something far more subtle, a way of knowing the world not as a thing, but as a movement, a rhythm, a relationship.
01:05:57:00 – 01:06:28:09
And what's remarkable is this around 25 centuries ago, in five distant parts of the world, five different visions emerged, each saying in their own language, the same essential truth the world is not fixed, life is not still. Everything flows. Grace. Heraclitus and the Fire of Becoming in Ephesus around 500 BC, Heraclitus stood by the river Castro and saw transformation, not order.
01:06:28:11 – 01:07:04:11
He said, everything flows, nothing stands still. The world was fire flickering, never still. You can't step into the same river twice. His vision clashed with Plato's eternal forms and Aristotle's stable categories, but the seed was planted. China lousy and the water path. At the same time, Laozi withdrew into the mountains and wrote the Daodejing. He said, the highest goodness is like water.
01:07:04:13 – 01:07:35:19
Water flows, it yields. It takes the lowest place and wears away stone. The wise don't force. They flow. They follow the Dao, the rhythm behind all things. They practice Wu Wei action without coercion, a quiet, enduring strength. India impermanence and the self that isn't Vedic thought spoke of Brahma, Vishnu, Shiva, creation, preservation, destruction. Then came the Buddha. Anita.
01:07:35:21 – 01:08:07:15
Impermanence, dukkha, suffering, Anata, non-self. The self is not fixed. It is like a flame. Peace comes from letting go from crossing the river. Awake. Amazonia, the forest that dreams the honey queen. Asian Inca and Yanomami believe the forest is alive. Through ayahuasca. They enter a space where plants speak, animals dream, and spirits cross between worlds. Time bends, boundaries dissolve.
01:08:07:17 – 01:08:34:14
This is not illusion, it is knowledge. The world is made of relations and those relations flow. North America, the great sacred cycle for the Lakota Haudenosaunee. Hopi time is a circle. Life is a cycle of seasons. Ceremonies return. Gender is fluid. The Great Spirit flows through all things. Land is not property, it is kin. Wisdom is not written.
01:08:34:16 – 01:09:07:18
It is danced, sang, lived. One truth, many forms, five cultures, five metaphors. Heraclitus, fire and river, life and water and yielding Buddha impermanence and Letting go. Amazon dreams and metamorphosis. Turtle Island cycles and relation. They whisper the same thing the world flows, don't fight it, flow with it. Super, super long I have more lives. I have to die.
01:09:07:20 – 01:09:14:03
You know what I mean? All right. Easy. Go hard.
01:09:14:05 – 01:10:09:01
But let us show. I love that you are in the last name. Let you be. I see. I do. So I can. You know, last time when you love shame, shame, shame, shame, shame, shame, shame, shame shame, shame shame shame shame shame shame shame shame. Love shame shame shame shame shame shame shame shame. Shame. Shame. Shame. Shame. Shame.
01:10:09:03 – 01:10:29:00
Shame. Shame. Shame. Shame. Shame. Shame. Shame. Shame. Shame. Shame. Shame shame shame shame shame on.
01:10:29:02 – 01:10:37:04
The bottom.
01:10:37:06 – 01:10:40:15
Bottom.
01:10:40:17 – 01:10:49:09
Oh my. Bottom.
01:10:49:11 – 01:11:25:13
You see, whenever I do not I get my up. But you love this. But I gotta show. No thank you, my child. I love that you are. Shut up. You know that my name I don't know my shame, shame, shame, shame, shame. Shameless shameless shame shame shame. Snap! Oh, got oh so funny. Oh oh. Shame on the team of shame, shame, my shame.
01:11:25:15 – 01:12:13:18
Shame on shameless. Oh, you mean the shame, shame, shame, shame, shame, shame, shame on the shame, shame, shame shame shame shame shame. Shame shame shame shame shame shame, shame on your.
01:12:13:20 – 01:12:36:01
Faces.
01:12:36:03 – 01:13:09:06
I think it is super fresh. Drive. You is my from Berlin. Live and direct from Kashmir. Radio.com. Super super duper. Okay, I know we often. I work here. You get it? We often say that, people forget their. But they think they are very mental. Some sometimes. My friend which are doing Buddhism are saying they are Arnold because Montag and Arnold apparently goes in the same way.
01:13:09:08 – 01:13:35:14
But so the idea is that you don't have to forget your body. So, Emily is here for that. She's a good one. She's in between. She's in between the eyes and the brain. There is a guts, and the guts are talking to us. And today she's having a, again, a good exercise for the US.
01:13:35:16 – 01:13:43:14
Emily. Yes. Emily gets.
01:13:43:16 – 01:14:23:11
Your champion. Your body is talking to you. Our jingle factory. Yeah, yeah. Okay, so today. Today is about, reaching the sublime. So, as usual, I'm here to talk about the body. Yeah. So what would be the ultimate experience? Ultimate sublime experience through the body? Yeah. So you can anybody. Can anybody answer? Yes. Are you asking? Yeah I'm asking, so I'm asking again.
01:14:23:11 – 01:14:57:21
Okay. So what would be the ultimate sublime experience for the body? To be fucked by a rocket. All right. And why not? It's okay. Exactly. Okay. So, everything and everything else? No. Would, Yeah. I would not stand up to serve. Yes. Example. It's a bit. I was, I was maybe I was thinking a bit more modest, like falling asleep, for instance.
01:14:57:23 – 01:15:20:05
Oh, well, you're right, you're right. Because, you know, the stage between paradoxical. Yeah, yeah. Exactly. Has this moment. It's like drugs without drugs is like your yourself. This moment where, everybody's going to. It's you. Everything's going to heat the. The salts are really clear. Yeah. And then you cut ups. Yeah, exactly. But I was not thinking about this one.
01:15:20:07 – 01:15:41:13
I was thinking orgasm. Orgasm. All right. Yeah, I yes, this is what I was saying. Being faked by rocket. Yeah. You were. Yeah. Yeah, we were on the same page. Of course. A small rocket being struck by a rocket. Well, it seems so, though. It's a guy. Yeah. For luxation. Yeah, but it depends. You just talked about anal, so maybe, you know.
01:15:41:15 – 01:16:05:04
No, it is not. Do like I had Emily with you orgasm. I can I can stick to a rocket and feel pleasure. You know, I felt like by a rocket. All right, can I. It's what? When I was looking for the Nazar, Emily was one. Yes. Yeah, yeah, yeah. Okay, so the terrorists have quite a few tricks to reach deep, meaningful, intense and lasting pleasure.
01:16:05:06 – 01:16:41:20
And the number one and the number one rule is connection. So connect with your body. That's everything. Whether you're alone or with a partner. Be present with your body, your heart and your mind and theirs. So inner connections in interconnection. Then as a warm up, create space in your body with your breath. So let's breeze so in through the nose to help breathing out through the, through the mouth.
01:16:41:22 – 01:16:50:23
It's our basic. It's a space. It's a saddle in through the nose, out through the mouth.
01:16:51:00 – 01:17:33:01
And now move your spine. Okay? Make it's supple. Start making spirals with your neck and your pelvis. In the same time, it's, you know, up to you. But the the the goal is to make your spine supple and then stop making spirals with. Yeah, I told I told that before. And then comes the secret Taoist trick to move your sexual energy through your whole body.
01:17:33:03 – 01:18:06:05
So we are going to do the microcosmic orbits, okay? In our bodies, we have 12 pairs of main meridians running symmetrically along both sides of the body. But we also have two extraordinary meridians, one yang, one yang and the yin meridian. So it's when it runs along the front of your body just from below your lower lips. Okay.
01:18:06:07 – 01:18:44:02
And down through the chest and belly and all the way to your pelvic floor. Okay. The energy flows down the world through this channel and the yang meridian runs up the back of your body from the pelvic floor up to the spine, over the back of the scale and along the forehead, ending in the palate. Okay, okay. So the trick is to connect these two meridians and let the energy flow in a circle.
01:18:44:04 – 01:19:18:05
So place your tongue on the roof of your mouth. The palate okay. To bridge that connection. When the energy is rising inhale and feel the energy going down the front of your body to your pelvic floor. And then gently contract your pelvic floor like giving a little impulse to send the energy up the spine through the young meridian and keep your tongue on the palate.
01:19:18:05 – 01:19:41:02
And let's circle back down again and again and again it is used. And try it at Ohm Noise or wherever you like. And let me know how it goes. It's funny cuz it sounds like a fun.
01:19:41:04 – 01:19:54:16
It's pretty weird what's going on here? People are just lying and breathing. They're trying to. To hit something.
01:19:54:18 – 01:20:21:24
It's moving around. This is super work show. Trying to reach a super time is getting out of what we've been expected. It's a bit too much. I hope you're not driving while listening to this show. Who does fell off? Baby, I hope you got this one. It's a way for you to reach some kind of orgasm. The best orgasm is to recycle.
01:20:22:05 – 01:20:57:19
Recycle your sex strengths. Your sex energy man is gonna twist in your body, your brain. You're gonna have pleasure like you never had. And if someone is asking you, how did it happen? Just answer. This was a trick from Emily from the Zipper Vogue show, you know? And that's cashmere. I deal. It's about un pushed right by. The knee man's never, ever gonna be here again.
01:20:57:21 – 01:21:56:24
The wool. It's getting very.
01:21:57:01 – 01:22:17:18
Bittersweet. You know, or you might have to understand from this show. We are not really here to have fun. So I propose you to listen to Emily again. But, I prefer to tell you that it's not her. This is our Cologne. And, then we're gonna be able to chat a bit, before to end this show.
01:22:17:18 – 01:22:50:22
I hope you're enjoying either. If you're listening it now. From this 17th of July we are Thursday, 722. Oh, if we are listening it in another space, another time. Whenever you are to vote, we don't know. And this is Emily. Everything is getting a bit hectic here due to this attempt to have orgasm on in the studio.
01:22:50:22 – 01:23:25:16
It's always a bit hectic after this kind of attempt. Of course, the concept of transitioning from modernity to fluidity represents a profound shift in human civilization, not through catastrophe, collapse, nor chaos, but through a gradual evolution toward transparency and wisdom. This transformation challenges our traditional understanding of progress, suggesting that the end of modernity is not an apocalypse, but rather a quiet shift into something more adaptive, more alive, more enlightened.
01:23:25:18 – 01:23:56:18
Modernity's primary gifts were tools of measurement, separation and control. They shaped our world. They built bridges, machines, economies, but they also built rigid frameworks and closed systems. And now those systems are breaking, not in violence, but under their own weight. Every monument of certainty we've built is being eroded by time and tide. What emerges is not destruction, but the necessity for change.
01:23:56:20 – 01:24:24:06
A new paradigm, a new softness, a new fluidity. Fluidity is not regression. It is not an escape. It is a continuation, an evolution. It is what modernity could have become had it not been seduced by conquest, power and control. Fluidity is not the end of humanity. It is the beginning of what the text calls the adulthood of civilization.
01:24:24:08 – 01:24:57:22
Not domination, but imagination, not human. Plus, as in transhumanism, but human quantum a deeper, wider, more intuitive humanity. This philosophical transformation has deep historical roots. It draws from Tao, ubuntu, the silent intelligence of children, the rhythm of forests, the wisdom in songs that never needed to be written. And yet it is urgent now because the scaffolding trembles not from attack but from metamorphosis.
01:24:57:24 – 01:25:33:08
Structure is not dying. It's returning to motion. Form is returning to flow. Pride is giving way to presence. The shift to fluidity means moving from rigid control to adaptive strength, from separation to connection, from force to flow. It's not about weakness, it's about suppleness. It's about quantum perception, instinctive governance, and inclusive ways of being. It means creating new mythologies based not on domination, but on tenderness.
01:25:33:10 – 01:26:08:13
And this transformation, it's already happening everywhere, in minds, in families, in institutions, in the cracks. The old world isn't being destroyed. It's being reabsorbed into something more alive. This transition also holds a great promise the reconciliation of modern technological brilliance with ancient spiritual wisdom to hold our tools with more care, to heal as we invent, to remember that we are dreamers, makers, healers.
01:26:08:15 – 01:26:36:09
It invites us to think and feel in new ways, not with fear, but with subtlety, with nuance, with connection. It is not a rejection of what we've learned. It's a call to use our knowledge with greater wisdom, with care, with breath, with listening. And in the end, the text leaves us with this breathe. Let go, let come. Trust the water.
01:26:36:11 – 01:27:05:19
This is not an end. This is a beginning. One that started thousands of years ago and is only now coming to fruition. This is the sublime shift. This is fluidity, and it's already begun. All this does for us. Oh boy. My boy, you better go super fresh of yourself. Super fresh ideas. Not like I have the feeling that this conclusion is, kicking every everyone on the floor.
01:27:05:19 – 01:27:32:09
I hope you, you're feeling heavy at home to be before to study this night. This, Thursday, a rainy, gray day in Berlin or somewhere else on Earth. Maybe it's not even gray where you are listening to this. Or maybe it's even sunny. Last words. All together. Carmen. Emily, that was your Cologne talking. You can say something about your Cologne because you don't even know what your Cologne is saying.
01:27:32:13 – 01:27:46:14
And, Gilbert, of course, before we say thank you to everyone. And, so good summer to everyone because we are approaching the summer break. Even here in Cashmere Radio, who wants to say something?
01:27:46:16 – 01:28:15:02
He. Who wants to say something? Oh, right. Okay. Well, Fluidity is king or queen. Okay, that's a that's a good, way. Not. I would have an idea for the for after the summer break. We should kind of look into, is what we were just talking about, which was very well done. And I really understood now much better what you what we mean when we talk about fluidity.
01:28:15:04 – 01:28:40:03
But what are we doing with all the rigidity around us in society, politics, education? Or is it just individualistic, individualistic that we, just deciding for ourselves to become fluid and beyond the way? So yeah, that would be something I would want to discuss later. Two minutes. But that that reminds me of, a quote of, niche.
01:28:40:05 – 01:28:58:07
Yeah. Nietzsche. Nietzsche. Nietzsche. Nietzsche. Who said that, real freedom is, so maybe fluidity would be dancing in to your, your teaching. It's also can be said as fuck your chains.
01:28:58:09 – 01:29:27:00
I'll make use of them in a subversive way. Yeah. Pleasurable way. That's the point. The sublime way. Sublime way. I think we all agree on the fact that we. We need to be supreme, take pleasure in life without forgetting your ethics. And, what? You are facing the situation you are facing, breathing, tensing them, maybe having pleasure in having, erotic relations with them.
01:29:27:02 – 01:30:01:14
I'm really happy that you came here. I'm really happy that you all listen to this show till the end. It's a moment for me to say thank you, Carmen Meyer. Carmen Meyer with a way and not a w e y e r d e and Geist und Kagan that the the e if you, find the, Gilbert under a philosopher und, Emily mit gets that work for all the information concerning what she's proposing around the guts.
01:30:01:14 – 01:30:25:02
Of course. ChatGPT is superb. Thank you. I even got a pro, thing this months to. Really? You do crazy stuff, you know, I want to say thank you to, my friend 11 labs, which allow me to clone and do the voices I want. And, you can find all the references and credits on the website of the Kashmir.
01:30:25:02 – 01:30:57:03
Amazing radio.com.com. This is the end of the season for us. We will be back on the ninth of 11 somehow. An interesting day. To restart the season, isn't it? It is, it is. Yeah. Yes it is. It's 730. Time for us to leave, the space to some other people who are doing the show. I don't even know who they are, but I'm sure they are amazing because you are surrounded by amazing people on Kashmir radio.
01:30:57:05 – 01:31:16:05
It's a shaked hand show. Somehow, I don't know. Can you speak in the microphone and say hi? Can not, you know? You know, you have to raise your show. I know this is a new show. You have to listen to that one. I don't know where there is. It's it's something comedic. You do quantum stuff. And you told me also I don't do quantum science.
01:31:16:05 – 01:31:37:13
You know, this is did and, with Georgia, Georgia and she did for you on Kashmir after this, amazing moment we spent together. Thank you very much. Right. Jesse?
01:31:37:15 – 01:31:40:17
The.
01:31:40:19 – 01:31:44:23
Last zero. Thank you. Raj, that.
