Weekly Schedule (CET)

Passage Stage: Biesentales Bilabiale Reibelaute Pt.1

18 September 2020
  • Ambient
  • Avant-Garde
  • Commissioned Works
  • Downtempo
  • Experimental
  • Atmospheric
  • Cinematic
  • Ethereal
  • Flowing
  • Hypnotic

Passage Stage

Bilabiale Reibelaute – on stage with Biesentales – part 1 – interview with Sven König and first part of performance


jayrope & Lippstueck

Room installation

Echochamber/Deadamp – Sven König & Klaudiusz Schimanowski


F.S. Blumm, Etkin Cekin, jayrope, Sven König, Lippstueck, Milena Pohl, Klaudiusz Schimanowski, Suetszu

on instruments

Guembri, acoustic guitar, acoustic baritone guitar, saz, soprano ukulele, frame drum, rainmaker, kalimba, crosslimba, the grail, chopsticks, asbach uralt (diy electronics), battery toy piano, hohner organ, original rusty cowbells, metal bottle


Lippstueck (excerpts from Gertrude Stein’s “Ida” – in German)



Performers meet playable room installation.

“Echochamber/Deadamp” is a Berlin-/Biesenthal-based playable room installation. It is working upon the simple idea of feeding a room back onto itself, using a room microphone and various different speaker types including modified guitar amps.

Usually room characteristics are steady, but made modifiable and playable here – as a room only, and filled with/triggered by players. Imagine for instance a small wooden hut turned into a much bigger room, which then drastically varies in size and sound at various degrees of speed.

“Biesentales” are hosts at Cashmere Radio for one. Here, though, they are a group of 8 players closely associated with Wokule e.V. and their lakeside camp in Biesenthal near Berlin. They all share a faible for slow, improvised music.

Framed by Lippstueck of Air Cushion Finish reading excerpts from Gertrude Stein’s “Ida”, the players fill in-between spaces with music and sound explorations, interplaying with the room installation, in various density and combinations. This results into an uninterrupted, transmutational listener space for approx. 3 hours.


(Post)production credits


Matteo Spaneo, Cashmere Radio

Sound mix and master


AI vocal extraction

Sven König


jayrope, Lippstueck


Ropinsky, with Etkin Cekin

Production organisation



jayrope, Mateo Spaneo


Biesentales likes to specially thank Matteo Spaneo and Cashmere Radio, Berlin


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