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‘Do you think he’s dead?’ his companion asked, still on the unjustified assumption that she had experienced something unusual.
“I expect he’s alive”, he answered, “judging by the way they lifted him into the ambulance.”
—
Just as Musil introduces us to the lifeworld of the man without qualities through a car crash (the severity of which, up to the extreme limit of its fatality, remains unclear) there is also a sense that ambient music also has calamity at its origin.
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Richard Huelsenbeck’s “Ende der Welt”, read by Jackie Grassmann!
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