Zuper Wok #11: THE END OF THE LOOP // FINAL GRAND REMIX

After a year of transition — with ZUPER WOK as my engine — something finally snapped.
Not a clean break, but a spiral that grows instead of repeating itself.

For this last remix and final show, I went back to the source. I re-listened to all ten episodes, extracted texts, slams, experiments, and rebuilt the structure from scratch. Suddenly, everything aligned — not chronologically, but truthfully. The episodes stopped behaving like a timeline and started acting like scenes floating in the same room: quantum, fragmented, yet coherent.

A few hours before going on air, I pushed the process further. I ran a full data analysis of all transcripts with ChatGPT and used the results as raw material to generate music. One track per episode. With Suno freshly updated, I went full ZUPER speed: 108 tracks in three hours, 18 kept, plus a few earlier pieces.

That night became the mission: a Grand Remix performed live.
Album tracks collided with flashback extracts and fragments from an interview with Gilbert Dietrich. My music, my past voices, and the memory of the show met in real time.

In the end, ten episodes and roughly 300 hours of work — about 900 minutes of radio — were compressed into 90 minutes of pure voltage. Chaos, beauty, and collapsing modernity.
Enjoy.

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GET ALL THE TRACKS OF THE THE END OF THE LOOP ZUPER WOK ALBUM

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HERE ARE THE OTHER Zuper Wok Remix:

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So I reorganized it all:

01. ESCAPING THE DARK HOLE

The collapse. The moment when nothing answers anymore. Silence, loss of meaning. Ground zero.

We start inside the fall. This is the longest and darkest episode, both emotionally and statistically. “Dark” and “hole” repeat like a mantra. “Modernity” peaks here, immediately countered by “fluidity.” The data shows a direct duel: old world versus new movement. Although positive words still outweigh negative ones, the gap tightens. This isn’t just psychological darkness — it’s urban, historical, geopolitical. The tunnel where modernity ends and fluidity becomes possible.

02. SPRING YOUR MODJO
A tremor. The world starts responding again. Not power — a pulse. Mojo as the ability to be addressed once more.

Here, the world answers again. “World” reaches its highest frequency of the season. “Quantum” peaks as well, while “we” starts to reappear. Emotionally, the tone shifts clearly toward the light. The language moves from survival to resonance. Mojo, here, is not ego or power; it’s the ability to be addressed by life again.

03. FIND PEACE, KNOW LOVE
Calm without anaesthesia. Reconnecting to the body, to others. Love as a relational skill.

This episode is a statistical outlier. Nearly 4% of its vocabulary is explicitly positive, while negativity almost vanishes. “Love” explodes in frequency. Breath-related words dominate. Interestingly, “body” nearly disappears, while “you” takes over. This isn’t confession — it’s a protocol. A guided ritual. ZUPER WOK stops narrating and starts addressing.

04. CHILD IN, CHILD OUT
The inner child steps forward. The mask cracks. Play, fragility, raw truth. The key was there all along.

Childhood floods the language. “Child,” “inner,” “care,” and “we” cluster tightly. Positivity reaches one of its highest ratios of the season. The data confirms the intuition: the child is not a theme, but a structural force.

05. UNTITLED
The in-between. No label, no identity badge. A suspended scene where you stop performing and just exist. The blank space where the next self can form.

Here, “I” dominates. “Radio” reaches its all-time peak. The emotional balance becomes more fragile, more ambivalent. Darkness remains present, but trust appears. Read through data, this episode looks like a body alone with a microphone. Less theory, more skin. Less declaration, more vulnerability.

06. STRETCH AND DECENTRALIZE
The ego stretches. Exit the pyramid. The “I” becomes a network, a wave, a circulation. Fluidity truly begins.

This is the most tense episode in relative terms. Negative vocabulary peaks, while the body becomes central. “Trust” appears more than anywhere else. The “I” overwhelms the pronoun space, and “we” almost disappears. The data paints a clear picture: muscles stretching, ego decentralizing, holding tension without collapse.

07. DREAM AND ECCE HOMO
Seeing oneself as one is. Human, naked, imperfect. Dreaming without escaping reality.

Short but dense. Dreams, love, darkness, family — all coexist. The balance between “I” and “you” is almost perfect. The algorithm reads this as an inner dialogue where shadow and light are finally held together. No escape. No denial. Just integration.

08. THE REVOLUTION IS ALREADY HERE
Not coming. Already happening. In gestures, relationships, everyday choices.

This episode carries the core theory. “Fluidity” reaches its highest count. “Modernity” remains strong, but no longer dominant. The tone is steady, addressed directly to “you.” The conclusion is clear: the revolution isn’t coming. It’s already embedded in breath, care, parenting, movement, and everyday gestures.

09. THE END OF THE LOOP // FINAL REMIX

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THE FUNNEL

• ~300 hours of work
  Writing, thinking, editing, listening, mixing.

• ~900 minutes of radio
  Ten episodes of chaos, philosophy, bodies, breathwork, collapse and care.

• 90 minutes of final remix

• 69 minutes of music
  The album. The distillation. The voltage.

In short: a data-driven wave

What does the data say about ZUPER WOK as a whole? It says that for every 1 word of darkness, there are about 4 words of light. It says that the body is named twice as often as the mind. It says that children, love, trust and fluidity are not just themes, they are statistical patterns that run through the entire season. It says that this project is not only a radio show, but the documentation—almost frame by frame—of a transition out of a collapsing modernity into something more fluid, more embodied, more relational. The revolution is already here; the numbers just confirm it.

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Fragments, lines and ideas co-written or voiced through AI-edited clones of:

THANK YOU ALL !!!

Judith Butler, Hartmut Rosa, Krishnamurti, Tim Ferriss, Alan Watts, Bernard Stiegler, Isaac Newton, Albert Einstein, Brooke Candy, FKA twigs, Simone Weil, Karl Marx, Miguel Benasayag, Slavoj Žižek, Marisol Michaud, Maya Angelou, Oscar Wilde, Buddha, James Baldwin, Pierre Corneille, Lucille Ball, David Bowie, Alain de Botton, Gil Scott-Heron, Erich Fromm, Carl Rogers, Antonio Damasio, Thomas Moore, Charlotte Wells, Virginie Despentes, Daniel Siegel, John Leduff, Richard Linklater, Terrence Malick, Hayao Miyazaki, Bessel van der Kolk, Hannah Arendt, Michel Foucault, Gilles Deleuze, Jean-François Lyotard, Immanuel Kant, Sabrina Calvo, Simone de Beauvoir, Byung-Chul Han, Ocean Vuong, Kae Tempest, Descartes, Bruce Lee, Thomas Hobbes, Satoshi Nakamoto, Ibrahim Traoré, Philippe Nassif, Stromae — with Emilie Péricard, Gilbert Dietrich, Carmen Meyerssel van der Kolk, Hannah Arendt, Michel Foucault, Gilles Deleuze, Jean-François Lyotard, Immanuel Kant, Sabrina Calvo, Simone de Beauvoir, Byung-Chul Han, Ocean Vuong, Kae Tempest, Descartes, Bruce Lee, Thomas Hobbes, Satoshi Nakamoto, Ibrahim Traoré, Philippe Nassif, Stromae — with Emilie Péricard, Gilbert Dietrich, Carmen Meyer.

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MORE INFOS & DATAS ==> CHECK ON https://zuperwok.com

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TRANSCRIPTION BY PREMIERE PRO:

00:00:00:14 – 00:00:22:03

Look, there are new shoelaces this season. I’m super happy to be here. Be part of this. Let’s see the yellow. It’s crazy. Here is the last chapter. I hope you enjoyed this season one. I hope you love it. This year. I hope you love it. Previously on super.

00:00:22:05 – 00:00:27:02

We hit the dark hole.

00:00:27:04 – 00:00:37:16

The real, the collapse, the jealousy, the broken nerves. The addiction shutting down one by one.

00:00:37:18 – 00:01:14:02

A moment when the old self stopped dancing to its own name. And the mojo came back. Pulse. Breath. Spring in the chest. After months of winter. So power grows. Not as a show, but as a survival ritual. A dojo reborn on air. We learn peace by burning through the noise, not the Instagram version. The intimate one. And one that forces you to sit with your heart.

00:01:14:02 – 00:01:27:00

Listen deeper. Breathe slower. Love without. I’m a couple. Cracked and softened and started to breathe again.

00:01:27:02 – 00:01:51:22

And came the children, the real ones and the inner one. And the revelation. They already live in the world that’s coming. Forward. Wild, perceptive. Psychedelic by nature. They became the teachers. We became the apprentices.

00:01:51:24 – 00:02:33:11

We stretched. We decentralized. Voices multiplied. Clones spoke. Languages braided into each other. Nico finally stepped aside. Super walk became a living organism. Not a monologue, but a resonant oh, we dreamed. We stood up to see Homo. Here is a man naked, honest and perfect. Finally alive. No masks, no poses. Just truth be electricity. And then came the revelation.

00:02:33:13 – 00:02:50:11

The revolution will not be televised because it is already here. And the breath in the street in Berlin. And the care in the kids and the tears shared. The bodies help. The glitches embraced.

00:02:50:13 – 00:03:02:14

In every moment of the old world. Cracked. And the new world slipped through. Now.

00:03:02:16 – 00:03:17:02

This is the end of the loop. We have diverged. We are elsewhere. The bifurcation has happened. Hallelujah!

00:03:17:04 – 00:03:53:17

Everything is possible. Now. Oh! What was. Oh that’s right. All right. Here are stars in the soul. Super walk, super fresh. Grab yourself super Vogue, super fresh radio live and direct on cashmere Radio.com. When we leap into the unknown, we prove we are free. I know, we know. If I wake up super walked on acting up this nonsense would rise life on of cashmere radio.com.

00:03:53:18 – 00:04:25:04

Super walk, super fresh radio live from Berlin. Water can flow, I can crash the water. My superiors from 6 p.m. to 7:30 p.m.. Live and direct on Cashmere radio.com a Super Bowl super walk right from there. For the first time in my adult life, I’m choosing total solitude. Kind of a babbling Coogan kind of kind. Kind of how I have things to do.

00:04:25:04 – 00:04:52:24

But I can’t get to them, right, I can’t, I ruminate, I rare, rare ruminate. I am the grinder. I am the grinder that keeps grinding insomnia and wide salts. Vine hurt us. Oh, in a few days I see my family again. What are they doing? Why am I alone again? Oh, right, I chose this. I would never have imagined this being another is a disease.

00:04:53:01 – 00:05:17:08

Is this, escaping the dog, waking up or taking control? Say my see goes gold. All right. From the boy Lux stories he told us. Stopping the bubble. Nothing but the old clown through the noise. Till I see you all tonight. Actually. Gravity. I rewrite the rope I, I feel like the rope.

00:05:17:10 – 00:05:24:19

I feel like a rope. I feel like I’m on.

00:05:24:21 – 00:05:49:20

The bridge and she not she stay. She steals your eyelids. She whispers nothing bad. But I’ve learned a lesson. So watch me do this. So I myself will. Raging grace I talk to the mirror. Like to friends face I plan walk to my broken. Just, feel we won’t repeat the quest. So go do. Don’t say you just sweat and stubborn flavor healing is hold on said see so.

00:05:49:20 – 00:06:24:06

But I’ll feel the afterglow. Oh, I’m escaping the dark unspeakable. Taking control. My pulse goes right. Here goes gold I rise in the boy love story told. Escape in the dark hole. With nothing but you. To hold on to the noise. Till I see you hold another to gravity. I’ll be right back I. Last year is nine. In November I do this this show, produced, made by my my girlfriend.

00:06:24:06 – 00:06:46:02

She told me she was pissed off of, my talk. Psycho maniac lifestyle. She doesn’t love me, desire me anymore. Everything I was told turned out to be a masquerade. All is wrong. The authorities, science, sex, right behavior, masculinity, femininity, gender domination, love, goals in life, whatever. I was hit by this, and I realized I was in love with her.

00:06:46:04 – 00:07:21:04

For real. So I decided to quit this toxic maniac lifestyle. So help me to transition from my some our modern, hyperactive, apiaries. And, Yeah. Duke. Psycho maniac live. Do something fluid. Simpler. Safer and, more honest and and, healthier. I was ready, I had been ready for a while, but this shock pushed me to do it.

00:07:21:06 – 00:07:49:12

I decided to jump into the unknown. Evaporate. Sean. Tiny sight abadi’s a shock. Had Mr. Tsuji brought us weekly to tune each other, Beschloss and in began to spring in estava listo. This is a tiempo. Pero esta impacto for us. Hello. The city land me. Hello. This conocido. It was tava pronto. Sasha algum tempo. My sister’s shock.

00:07:49:17 – 00:08:15:10

Memphis. I hear the CD. Salta Paradise. Coincidence. Hello. Pronto. The tempo. My questo shock me as Pinto Farlow. Or the cheese or the bottom millimeter. King Cara jump a dictator demo show. Giga pinnacle or star me I need to be Como. Talk to us. I’m under hazard. I’m a blue sergeant to Benny. How did you take it?

00:08:15:14 – 00:08:28:24

The building man cut out. Where was our children? Bay. Hola. Tan jitsu, Chong de Jong. What? Changing scene? Don’t you like what you think? Told in wager de Jong.

00:08:29:01 – 00:09:07:17

Jolted the piano. Mama. Mr. shook my pussy. Apache. I liked the. They just don’t like when you. When we leap into the unknown, we prove we are free. And so it’s to give resources. To be able to face what is left from modernity. Which we see those days with those old, very, very, very old people, keeping on doing the same modern things, being unilateral, pressuring people with violence and, television, police, church psychiatry finally lost the illusion of legitimacy.

00:09:07:19 – 00:09:40:12

Nobody believed anymore, not even those who administered them. But collapse is not the same as apocalypse. It is an opportunity to unlearn. The fluid era was born not from hope, but from necessity, from the unbearable tension between digital acceleration and social rigidity, from ecological pressure, from neurological burnout, from children refusing to be programed, from the deep realization that no one wants to be governed like that anymore.

00:09:40:14 – 00:10:21:01

You want reasons to be optimistic. Here they are in the vacuum left by modernity. New architectures of subjectivity emerge, not utopian, but flexible. We stopped speaking of identities and started cultivating processes. We abandoned the normative subject and embraced the singular trajectory. Fluidity became not a slogan, but an effort. The capacity to relate, to adapt, to transform without disappearing.

00:10:21:03 – 00:10:44:00

To love oneself is the beginning of a lifelong romance. Swimswam between these two are then working to unify selves. To do leave them is their begin in a Lebanese slang in romance can deny save make immutable use your chickpea bash language amoris. This needs to do a study of the more you can do la vida Amar uno mismo el comienzo de un romance para toda la vida.

00:10:44:04 – 00:11:27:09

Remembering, not knowing, avoiding happening love and becoming so some kind of dissolve. Sky bridges shows no shape flow. The wave pulse, the procession of the fluid waves. No need to remember whatever the me was meaning. No, it’s not transparency. Again about the mirroring effect in the mirror on no ways of the time thought of the sky forgetting and yes, remembering.

00:11:27:11 – 00:11:50:23

Flight must come but you but you don’t know what you don’t come. What do you tell no snow you I like that your knickers are long. Come, salvo, don’t. Don’t run. I know. Me, I don’t. Worry, I don’t.

00:11:51:00 – 00:12:22:02

Worry. I know. Missile attacks. Condos of precaution. Second shock notification for flying in conversation. Let me call Tom. Darling. Me love. One of them would surely panic. Surely he’s too lazy to love. She books. I like garlic on the school. Want to sell it to the flesh little monkeys for it on it cooties. I fully like glitter to go it over to tip off.

00:12:22:03 – 00:12:49:15

Tell me full of bordello. Don’t look bullshit. On sale is on my club. Do you get off on the buffet? I’m calling you. You sure? Capitalism. Known for philosophy? Victoires. I call it to me. Look, I take the bus at a place. The super offer to buy a cheap a you don’t want, you don’t come. What do you come to know?

00:12:49:15 – 00:13:20:24

But you don’t come. Sell home. Don’t. Don’t to me, I know. Don’t kill me. I know. Don’t kill me I know. Do me, I know. When blame to tell. You. Should slowly kill to get the next. Don’t have you don’t want you, want you rest. This is silly girl. But I shall. She don’t wish to be in prayer.

00:13:20:24 – 00:13:53:08

Also don’t call for Bill. She is also make you start. You need to go should you believe what I just don’t get you. I don’t feel you can see it. She said do something. I should quit until done. But she is used to spell. But only if I’m honest. You tell you I love juniper. So don’t, don’t. Don’t owe me.

00:13:53:08 – 00:14:07:18

I don’t. Want to worry. I don’t. Want to.

00:14:07:20 – 00:14:19:12

Me? I don’t. Want to.

00:14:19:14 – 00:14:46:08

Spell performance. Surrender. Fatigue. Are sacred decrees. Slow, slow to create tension. Tension. Consume. In your name I am. Listen, I am nothing, I am great. Bravo! What happened? Why is she not in love with me? I am sick, I am weak, I need a shrink, I need help, help me out. Because what is going? How was I when felt good?

00:14:46:09 – 00:15:10:16

How long will it last? Not a person. When I felt good. How long is silence? I grant you that control. But I’m speaking of the dominant mode of living in the world. Right out of living in the world, of what’s the world. And of course, interpretation is not a face. Your lifestyle is the voice. Look, here is the best experience, duration.

00:15:10:18 – 00:15:33:06

I will face my fear. I will permitted to pass over me and through me. And when it has gone past, I will turn the inner eye to see its past. Where the fear has gone. There will be nothing. Only I will remain in whatever after the breath is never murky or too small to tell my birth. But forget the world.

00:15:33:08 – 00:15:57:13

It gets to see you. Until you cloud across Europe I see you notice. To have you begin to move. You can step home to step against this two top arms. This neckline, a toe to fully go slow. Something which very minor understands in its very existence. Ubermensch and Jewish mission and Deutsche Tsugi. When Vinci fall back begun is there is this river over?

00:15:57:14 – 00:16:26:17

Then you convicts to the dock. What you ask begun in this witness sign more each word of life I know I will remain up. Enough. If I can change the other must catch me and you can change. We have these minutes. Every moment. You change casting for 15 minutes. When one thing that I. That struck me is the one day when.

00:16:26:17 – 00:16:47:02

When I started working with you a bit, you said, yeah, no blues, no looking back, no history, no no past. And then in a day like later, two days later, something I was writing something else and. Yeah, but no future. No future. Oh. So okay, so I was disallowed. The past and the future. I talk about the present.

00:16:47:02 – 00:17:14:20

Why? What’s so what about the present? Why is the present such a thing in this show? Because this is only what exists, is existing. The past. I’m using the past to explain or to get the ideas that were post-modern. So the pre-modern or the postmodern. But I realize that the postmodern in the 70s, where only this deconstructing and where against modernity.

00:17:14:20 – 00:17:42:23

And for me, fluidity is the way to embrace, to say yes to postmodernism and to do something else with, with pleasure. And then I’m really fed up with all those people, like futuristic, wanting to suddenly say, let’s do this. This is now I mean, the idea is I was always in the future. I was a futuristic, I was a Pandora, I was a, I was a was this is guy able to even ask, do I.

00:17:42:23 – 00:18:07:16

Well, how do you see things how it was, which is going to happen. But now to stop, being took to toxic because I still intoxicate myself a bit, but not, in a compulsive way. I see now, my emotions, so I feel them for real. I feel new things. And since I’m I. Dude, I never felt that before, so it’s, it’s the reverse.

00:18:07:18 – 00:18:33:09

This is also the the point of this last, show for the season one is, is is is is gonna remix is to say when loop is done. Yeah. The loop is, is actually, this is the end of one loop. No journey. The libido, the life force, the essence, the right stuff. What the French call a certain I don’t know what mojo for me.

00:18:33:11 – 00:19:04:09

I would describe it as the magic that lives within us. So mojo can be faked, but we not we don’t always have access to it because it’s often underlined by, fears, by thoughts, by. Yeah, I’ve lost my mojo string. Your mojo left the pulled right the tempo. Not for the crowd, for the inside glow. If you trust us, yes, you follow your mojo.

00:19:04:11 – 00:19:14:01

Cause. But you still fall from the dark hole. To the first. Hello. Little by little back into flow. My.

00:19:14:03 – 00:19:37:17

Remember when you stop moving. Not the body, the part of you, the answered invitations. If your mojo didn’t die, it went offline to survive. But now every small. Yes, one drink you really want. One hug. You really feel one? No. You finally say it’s rehab for your desire. Step step step step. Small step still go. Shake, shake hold fear.

00:19:37:17 – 00:20:04:11

Let’s go breathing I’m gonna show. My turn happens I have show I can’t if I can just come but die. If it’s not alive. We drop this slow only once I praise can grow. Modernity is dead. Postmodernity tried to deconstruct it. Hyper modernity accelerated it into oblivion. No, there is no structure left. Only flux. No past to hold on to.

00:20:04:14 – 00:20:29:02

No stable ground. The only way forward. Move with it. The ego is not the enemy. We were taught to believe that to be whole, to be free, we must conquer the ego, suppress it. Annihilated. But this is just another violent echo of the same modern myth that created the problem in the first place the myth of separation, of purity, of control.

00:20:29:04 – 00:21:06:19

The ego in its essence is not a mistake. It is not a cancer to be cut out. It is a part of our being in the world, a necessary thread in the fabric of life. What needs to be dismantled is not the ego itself, but the idea of the ego fabricated by modernity. An ego imagined as a fortress, isolated, self-sufficient, closed off from the flow of existence, modernity sculpted an ego that stands alone, facing a world seen as exterior, inert, a set of resources to be exploited or threats to be neutralized.

00:21:06:21 – 00:21:33:17

In doing so, it amputated us from the very ground that nourishes us, our being together, our being with the world. The problem is not that we have an ego, but that we have been forced to live under a false image of what it is. The modern ego is a structure of fear, not of life. It fears being changed, touched, transformed.

00:21:33:19 – 00:22:05:11

It builds walls where there should be bridges. But the true ego, the living, breathing sense of art is not a wall. It is a membrane, a porous, trembling frontier where the inside and the outside meet, where the self is born from its continuous dialog with the wolf guts, radio light. I’m here to talk about the but little breath, a little sunlight in the middle of the dark hole.

00:22:05:13 – 00:22:34:21

But we’re not done. This is still walk live on Kashmir radio. Renee. Bruce. Ready? Let’s dive back in. So why Rene? Why is everyone still scared of the body? Because the body deceives them. It gives us pleasure and pain that clouds judgment, that misleads the mind. So I separated myself from it. And nature the same. It deceives, it blinds.

00:22:34:23 – 00:23:06:24

It changes without reason. So we must not submit to it, but master it. Yes, we can master his nature. Bend it if needed. I searched for one point that could not lie. Not in the body, not in the world outside, but in thought alone. If I doubt, I think if I am deceived, I think therefore I exist. It was not pride, but with huge refuge in the mind, safe from the betrayals of body and nature.

00:23:07:04 – 00:23:37:13

You see, when your clarity gave us science good, but it also made a habit of control. Soon the body was treated like a machine on a schedule, a nature to reduce to numbers, to resources, to something to exploit forests, cut rivers, dammed animals, treated like tools as if the earth itself was just another machine to master. That’s modernity.

00:23:37:15 – 00:24:22:03

And honestly, I don’t like that part. I said. I like modernity, yes, but maybe I was wrong. I don’t stand with control. I stand with flow. The concept of transitioning from modernity to fluidity represents a profound shift in human civilization, not through catastrophic collapse nor chaos, but through a gradual evolution toward transparency and wisdom. This transformation challenges our traditional understanding of progress, suggesting that the end of modernity is not an apocalypse, but rather a quiet shift into something more adaptive, more alive, more enlightened.

00:24:22:05 – 00:24:53:05

Modernity’s primary gifts were tools of measurement, separation and control. They shaped our world. They built bridges, machines, economies, but they also built rigid frameworks and closed systems. And now those systems are breaking, not in violence, but under their own weight. Every monument of certainty we’ve built is being eroded by time and tide. What emerges is not destruction, but the necessity for change.

00:24:53:07 – 00:25:20:19

A new paradigm, a new softness, a new fluidity. Fluidity is not regression. It is not an escape. It is a continuation, an evolution. It is what modernity could have become had it not been seduced by conquest, power and control. Fluidity is not the end of humanity. It is the beginning of what the text calls the adulthood of civilization.

00:25:20:21 – 00:26:06:06

Not domination, but imagination. Every other is all. This is not a new hello, hello, hello, hello. It’s us. Tonight I train here. Tonight I stay up. Here. Oh, no. Oh, no. Oh, but I was just gonna listen to my bed. You come on audible on all of us. So if I heard the noise for you, that’s the free.

00:26:06:08 – 00:26:35:17

My heart unlocks when I stop breathing. When I don’t fight the wind anymore, I be opening, opening. It’s been kind number. You. Goodness, you blew my skin. So now I am wind boom shouting please, I would like to just help I just tell you I live in another life. I am peace in the place. No anything. La la la la la la.

00:26:35:17 – 00:26:38:08

Don’t.

00:26:38:10 – 00:27:20:03

Love you. Can’t you do welcome. To. I’ll let you. Oh, no. God, I don’t go to the that I believe in the chorus. Instead of the spirit of the spirit I got an easier God. You’re opening. If on skin, light on blood, breath on breath. And still and still and still I feel better. I feel better, I feel better, I feel better, I feel better.

00:27:20:04 – 00:27:23:20

The whole.

00:27:23:22 – 00:27:50:17

The nothing honors. But I still feel the your subjective seat of your life. I feel it coming like a fresh wind in my ears, my head, my heart, my belly, joy, joy and freedom like sunlight coming with spring. These past months, I didn’t really say it, but I quit daily weed porn news feeds, nail biting. Expected six cigarets, nicotine, the loop.

00:27:50:19 – 00:28:11:22

No more chasing hits of dopamine. My weird new coach. Call it ChatGPT. Your intuition said it would take six months to a year for my brain to reset, to feel normal again, to feel life without needing to get high. That sounded long, but compared to 30 years of smoking, 17 years of daily weed, it’s nothing. So I do the work I teach myself to enjoy less.

00:28:11:24 – 00:28:35:02

Less dopamine, less noise, more presence, more. Now we don’t need you. The data you throw care to me? No man doesn’t again. You. I’m a part of the God of the earth and I live on the sand as well. But what I don’t know, I walk backwards to move forward fluidly.

00:28:35:04 – 00:28:48:14

But I don’t teach identity in revolutions of power of my hands. Oh, don’t. Come on. No no no no no.

00:28:48:16 – 00:29:20:05

Up in the body. No, don’t. Just to. Up. De de de de de de de de de de de de de de de de de de de de de de. I even try to. Shout out. Yeah. Thank.

00:29:20:07 – 00:29:53:02

You know that you can empathize and that’s all good, child. Down down down down down down down down down down down down down down down down down. Talking about I gotta tell ya, I’m finally home. Yes, I see you, I feel you. You’re not hiding anymore. You’re not rushing. You’re here in your skin, in your breath, in your truth.

00:29:53:04 – 00:30:24:16

You’ve become fluid. And in that flow I can meet you. Not as your mirror, not as your challenge, but as myself. You move with no armor. Now you carry no shield. And yet you are strong. Strong like water. Strong like roots. Strong like someone who knows who they are and doesn’t need to shout I feel that I trust that your presence gives me space and I no longer shrink because you are not here to take.

00:30:24:18 – 00:30:49:00

You are here to share and that changes everything you say I am here and I say so am I not to melt into each other, but to move side by side. Dancing, sometimes close, sometimes far, always read. This is not the end of the story. This is the beginning of the game. The game of us. Not power, not performance.

00:30:49:00 – 00:31:14:14

Just play. Just presence. Just be as you say. I am. And I say we can. We can move, we can choose. We can change the way we love. And now we do. Yes we do. So what do you think of cashmere.com? Just zip car.

00:31:14:16 – 00:31:31:18

Yeah. Listen, babe, you don’t know the system, your soul. You don’t know your father, his role. You don’t know the City of Queens storyline with career mortgage fake smile. Decline. You owe yourself breath. The body that feels friends to see. You loved a hearse. You want instructions to leave this page. Care be slower, scroll less. Ask for help.

00:31:31:18 – 00:31:50:01

Say no. Say yes to what makes you happy. Stupid and loud. That’s it. That’s the head. Oh, good luck it out. You just appear in the embassy. A way to cure it. Don’t worry about me. Right. You already been in the next day like you like. Yeah. I’m here for you to get your goals. Your fucking up. But in your bed with the lights.

00:31:50:01 – 00:31:55:21

Turn back saying you’re ready. Let the day work.

00:31:55:23 – 00:32:07:24

Let. Nobody let the day will go. Yeah.

00:32:08:01 – 00:32:33:07

Son, you had that. I have to take advantage. All right. You are more direct of cash. Me of God. You got promises. You could walk super long. Walk better walk super fresh out of your zealot life from the eye of the tiger. You know what I mean? All right. It is written shaped clay into a vessel. It is the space within that gives it value.

00:32:33:09 – 00:33:03:13

Place doors and windows in a house. It is the opening that brings light within said spokes within a wheel. It is the emptiness of the hub that makes them useful. Therefore be the space at the center. Be nothing and you will have everything to give to others. Your feet tread heavily on the ground. Have your burden, grasshopper.

00:33:03:15 – 00:33:13:05

Foot almost. Then sink. I walk ready for another active hibernation and return the next phase of transition.

00:33:13:07 – 00:33:35:24

After nearly a year clean, I know I’m still craving, but I know that I know that I know that tree. Hide the forest. Autumn. Clear to my sight I see the child again. The one hidden under chemical crutches. Dopamine, I love you, I hate you. The child screams, oh, they were already in motion when I walked in. No slogans, just signals.

00:33:36:03 – 00:33:52:19

Gil said if it can be televised, it’s already been neutralized. He called it the off screen revolution. He said it hums in laundromats in the way strangers not on busses. That it’s not a march, but a slow leak. In The ideology. Pope Sabrina talked about the margins. It’s all happening in glitches, she said. People make soft models to the world.

00:33:52:19 – 00:34:12:06

They don’t wait for permission. They whisper their updates into the system like coded spells. Ellie, that girl’s got dust and blood in her breath. Survival isn’t loud, she told me. It’s in how you hold someone’s hand without shaking. She’s seen too much, but she still plays guitar. That’s revolution. And she hero. She just looked around the room and said, if you forget your name, the world eats you.

00:34:12:08 – 00:34:35:08

That one hit me. So many of us are eaten by apps, by brands, by fear. Simon was the last to speak. Her voice was like Flint. True change, she said, is when you start walking differently, when you stop shaving your soul to fit. So here’s what I saw. No plan, no master key, just cracks. But in those cracks, a new language, a tenderness that doesn’t ask for applause.

00:34:35:08 – 00:35:08:19

And that that’s where the real shift begins. Some say everything is controlled now, that every move is tracked. That freedom was a phase. But in room two, we start with those who work in the blind spots, who practice the art of slipping through. This piece has no name. The file is corrupt. The folder mislabeled, the archive complete. Good titles are leashes.

00:35:08:21 – 00:35:18:07

Let’s see what a human does when even the label human starts to flicker.

00:35:18:09 – 00:35:43:14

Screen black cursor blinking like a tiny metronome. A panic. Who are you without a job title, without your desired script, without a couple cosplay? I hear the system. Open name, role function, gender up, a brand. But tonight the form field stays empty. Untitled, solid yet abandoned. I walk through Berlin with no story on my back. Two steps, just breath.

00:35:43:14 – 00:36:14:20

Just as with permission to not know who the fuck I am. Becoming untitled but not empty now. Wrapped, just not up to my eyes for comprehension three. Untitled but not empty. Just not wrapped. Just not up to my eyes for comprehension. Speed. The glitch is not a bug, it’s a message. Every stutter in the track. If I drop in the laugh.

00:36:14:22 – 00:36:40:00

If we fail. Seduction is the code saying this path is deprecated. So results in visual defeat. Come the skin doesn’t move is revealed. Hasta la bunga there. Go to the record. Delete delete delete. No archive. Let them exist without commanding the catch phrase. What that was all about. The revolution will not be televised. That was about the fact that the first change that takes place is in your mind.

00:36:40:02 – 00:37:03:21

You have to change your mind before you change the way you live in and the way you move. So when we say that the revolution will not be televised, we were saying that like the thing that’s going to change people is something that no one will ever be able to capture on film. It will just be something that you see, and all of a sudden you realize I’m on the wrong page or I’m on the right page, but I’m on the wrong note, and I’ve got to get in sync with everyone else to understand what’s happening in these countries.

00:37:04:01 – 00:37:26:10

It’s over. Yeah. I mean, I just received, a message from, recount, which is trying also to define which is to change the era. Yes. If it here is, send me a telegram. A new era is not a shift in power, but a shift in reason. It begins the moment we dare to think for ourselves.

00:37:26:10 – 00:37:51:24

Without the guardians of tradition, superstition or convenience. A new era is the awakening of freedom. Not as license, but as responsibility. When humankind begins to use its understanding without external guidance, it enters maturity. This is not immediate. It is slow. It is fragile. It requires courage, suppression. Loud. Dare to know. That is the motto of every true beginning.

00:37:52:01 – 00:38:16:09

A new era is not what happens in the world, it is what happens in the mind when prejudice is replaced by principle. When fear gives way to thought, it may be invisible, it may go uncelebrated, but it is there every time we act not from habit but from reason. That is the mark of a new time.

00:38:16:11 – 00:38:42:22

Oh God. Oh, super, super fresh values of super fresh ideas I like. I hope you’re thinking also in your place. Feel free to send messages or to join us at Cashmere Radio. Things, keeping on moving here, Emily is promising us, some kind of exercises for for feeling better, of course, but I don’t know what exactly.

00:38:42:24 – 00:39:26:02

And, in between. We gonna dance a bit, shake your body at home. This is unexpected. Zuppa walk almost 7 p.m. in Berlin and almost all Europe. Is it right now? You doubt? Yeah, yeah. You forget who you are. You scrub, you spin. You want, you suck a little small. Exhale. Listen, I love you. And down. I love you I don’t know I love you I feel nothing, nothing, nothing, nothing.

00:39:26:04 – 00:39:53:05

You are breathing. So you’re still here? I feel here. You are not alone. You go slow. You spend, spend, spend your 1.1 to watch you single little from month to month to month to month. So much fun, fun fun fun fun fun fun fun fun fun fun fun fun fun fun fun fun.

00:39:53:07 – 00:40:12:16

Fun. Sean shot. I love.

00:40:12:18 – 00:40:34:06

When I’m with you, I’m with you and your headphones in your chest. And it’s very breath. But, but, but, but but but but but but row row row row row row row row row row row row row row row row row row row row row row row row row. Forget the story for a second. I get get it get you get the dean.

00:40:34:08 – 00:41:02:09

You get the dean. But you get all forget that sex I forget. We need to get you e just feel that. And then and, And then and then, and and and and, and and this is you breathe and breathing and just as you you you you you as we we you’re not alone at all. No, no.

00:41:02:15 – 00:41:41:20

Duh duh duh duh duh duh duh duh. Super. Well, luckily, everything’s a counter injection. No pharmacological against the fight. A saturation of dopaminergic systems. A carefully dissonant space where the soul can breathe again. In the age of algorithmic capitalism, dopamine has become the dominant political economy. We no longer think we scroll. We no longer desire. We refresh. Each tap is a farmer icon, a promise of presence, but an architecture of absence.

00:41:41:22 – 00:42:12:06

Zipper work understands this, and instead of obeying format, it becomes a ritual of disorientation. It uses sound broken, intimate, multilingual to fracture the regime of attention capture and to reactivate the libido as a force of individuation, not consumption. As Nietzsche once whispered, you must still have chaos in yourself to give birth to a dancing star. Super walk. Is that chaos?

00:42:12:08 – 00:42:38:07

A slow chaos, a sacred one. It welcomes contradiction. It does not fear the glitch, the pause, the unresolved. Because healing begins when repetition is interrupted. All the things you need to be bored. You will have less meaning and you will be more depressed if you never are bored. I mean, it couldn’t be clearer. Mind is shrinking. I dissolve.

00:42:38:09 – 00:42:53:10

Stop.

00:42:53:12 – 00:43:28:21

At, his first work. Hello. How do you spend time? I know, I suppose my brain, but the left brain. So do the self. Let go. I am not my little screen. I’m the pulse behind the scene. I’m making a machine for it. But in between making me my. Not making me. But, overthinking. Like, no more thinking.

00:43:28:21 – 00:43:49:03

Like only body. Only be me. The ego sinking I just so, so, Stop.

00:43:49:05 – 00:44:23:04

Wave goodbye. Suffrage. No tide, no plan. Just feel the sweat. That’s real, real real real real real real real real real.

00:44:23:06 – 00:44:47:05

You describe what we say, but not the space does. Gravity isn’t something that pulls. It’s something that bends. Mass curves. Space and curved space tells mass how to move. But time is absolute. Events unfold in a single order, measurable by clocks. Not here. Clocks slow down near mass. Two observers will measure time differently. There is no single now.

00:44:47:07 – 00:45:14:13

Then everything I knew was incomplete. Not wrong, just a local truth. Your laws are still useful in calm places, small speeds, weak fields, but near the speed of light or near massive stars, you must bend. I once said, I feel like a boy playing on the shore of the ocean of truth. I now see the ocean is deeper than I imagined.

00:45:14:15 – 00:45:41:19

You looked further only a little. And even I reached my limits. I never managed to unify gravity with the quantum world. There is still mystery. And that is where beauty lives. You’ve both spoken of force and of curves. But this is not only about gravity, it’s about vision. So I ask you, Albert, what changed? What truly changed? What changed?

00:45:41:21 – 00:46:30:21

Everything. The world is no longer built on fixed laws and solid truths. We left the Cathedral of certainty and stepped into the storm over thinking how my thinking only body, only beaten faces talking mind a shrinking ideas, all my stuff. Head of heart on hipsters. Welcome head on heart on these back I’m going across what Baltimore picked. Talking brain I shook a lot of light.

00:46:30:23 – 00:47:15:09

I thought to myself, let it go. I love my little screen. I love those behind the sea, on the lake and on the ship flew in. What? And the vacuum left by modernity, new architectures of subjectivity emerged. Not utopian, but flexible. We stopped speaking of identities and started cultivating processes. We abandoned the normative subject and embraced the singular trajectory fluidity became not a slogan, but an ethic.

00:47:15:11 – 00:47:49:05

The capacity to relate, to adapt, to transform without disappearing. It was not softness, it was intelligence. Children led the way because they refused control, because they knew instinctively that truth is not taught. It is felt the family was deprogrammed, not destroyed, reconfigured. No more authoritarian parents, no more infantilized adults. Just relational ecosystems with boundaries shaped by dialog, not power.

00:47:49:07 – 00:48:19:03

In education, obedience was replaced by curiosity in sexuality, guilt was replaced by consent plus play. In politics, representation was replaced by resonance. We didn’t need new ideologies. We needed new grammars of connection. And we found them in silence, in breath, in care. Fluidity, my friends, is not chaos. It is the refusal of fixed domination. It is the refusal of inherited violence.

00:48:19:05 – 00:48:36:24

It is the courage to move with the world rather than trying to pin it down like a dead butterfly. And the borders melt. Fluidity is not your truth. It’s survival. Power starts. It’s learning not to hold on. They called it stay on to breathe and trust was come. Modern man wanted to control the maps. The fluid human. No fixed.

00:48:37:02 – 00:49:01:21

There is no map anymore. No box only flows, frequencies, voices. Currents. Demand we destroy, not dominate. You see, the mutation already happened. We didn’t. The governments argued about was on. We built bridges into how to grow. See, the market speculated on scarcity. We kept the cultivated abundance in connection. And while the old World Cup shouting order, we learn.

00:49:01:23 – 00:49:29:00

And the revolution didn’t fail, together we transcend invisibility. Silence became interior. It became what it became. But it’s not so now. But it’s a lie. Listen carefully. Our freedom isn’t vertical and horizontal. It’s shared. It’s alive. It’s stretching through every one of us who dares to stay fluid in a world still obsessed with solidity. The new question is not who leads, but who listens.

00:49:29:02 – 00:50:18:22

And when you listen, truly, you’ll hear it. The sound of the world unfolding itself. Stretch decentralized and stay human. Stretch decentralized and stay humans. Stretch decentralized and stay human. Stretch decentralized and stay human. Stretch decentralized and stay human. Stretch decentralized and stay human. Stretch decentralized and stay human. Stretch. Let’s end body becoming. Short we become back to the network of.

00:50:18:24 – 00:51:07:07

Each team each year. Check your knee. We shall see you watch I stretch, I search, I stretch. I stretch, I stretch, I stretch. One body, I signals. One voice. If it goes one my consciousness. It’s been too hot to stay. We are no longer looking for a leader. I think truth needs pulpits and prisons to survive. But now I see the church dissolve into connection, the police into presence.

00:51:07:09 – 00:51:42:18

We don’t obey each other anymore. We polish each other. Friction becomes care. The world holds itself. The old order prays for a single light at the center. This one glows everywhere in screens, in bodies, in breath. No altar, no throne. Just a rhythm of eyes. Watching, helping, verifying. This is not rebellion. This is consciousness. The polis reborn. Each citizen awake, each moment transparent.

00:51:42:24 – 00:52:13:00

Each action seen and shared. The church becomes vibration. The law becomes listening. The world becomes fluid, confident, conscious, collective. I no longer fear the crowd. I am the crowd. That’s it. That’s the sound of power turning into presence. The monster melting into music. No crown, no code. Just connection. That’s where we are. Inside the pulse, inside the present.

00:52:13:02 – 00:52:41:12

You’re listening to zapper. Walk the dark hole. Number three live on cashmere radio. Stretch. Decentralized. Stay awake and walk with Sister Tess. Now we drop down this news in Washington. Meet the sun. Still keep your eye on them and logarithmic on their code. Thanks to Nathan for more. Gosh, I forgot to look up tonight. I told you we can fix look it up till I don’t see color in the size of the mesh.

00:52:41:17 – 00:53:05:08

Let’s open the IDE underneath those people on the time. But I don’t speak on Twitter on the first Sunday of the quick break. Sorry. So spare you? Shut the lies. And if I do some more, I spill. Lento you should be longing for. Last year I about the no space to go skating. You know, not just dance with your feet up on the wall.

00:53:05:08 – 00:53:26:10

So for not being planned a selfie. Can’t speak? Please scroll back. Closure despite the shock because I know I’m meant to look. Some call me by my school. Corona Como la la la la la I love you so stay on, don’t spill. You don’t know cause you don’t know how to spell I know some, but I miss you.

00:53:26:12 – 00:53:48:09

Hospital services like Netflix, all your things. Of course I like that. I tend to strike. And so are they necessary? Played on. Almost also doesn’t say Spanish. La lumiere de la santé. Not here, my darling. Not yet. Money enough to bother me. Banana economy. I can’t say I get you to come. I love it, you said. Come on, come on, don’t put up the form, the tempo.

00:53:48:09 – 00:54:08:03

So I played with someone in LA. Poisonous. On the floor, on the floor, on my floor. Hot on the ball. And every noise. My costume is the feelings. When you’re so close to some of the people. If I cannot walk ten feet to see if I had me on my phone. Every connection is a small miracle. Nothing in cosmos is against you.

00:54:08:08 – 00:54:30:23

Sickness happens in the body because your circulation is not happening anymore. You’re not flowing anymore. Why? It stops because we want happiness to be permanent. So we block things so sick. I think the flow stops when flow stops suffering starts. Suffering starts. Cancer happens. But if body keeps on flowing, your psychology also keeps on flowing is happiness comes.

00:54:31:00 – 00:54:52:20

Don’t say let it be permanent. I enjoy it and remember suffering is coming when suffering comes. Don’t think it is permanent. Commit suicide. It is also like a night. Morning is coming. What you explain very beautifully. Difference between misery and suffering. We are living in misery. Misery means we live in a dungeon. No window. That is a psychological ego state of mind.

00:54:52:20 – 00:55:25:03

Whereas suffering is like a dark night. You know, it’s dark night, but it’s preparing for the new day. And when you have happiness day, don’t forget the night. Oh, rather organic. It will become night again. So being part of this cycle is to be with that. Ruh creation muh ending ra fired muh. But when you are into a darkness date, you are taking birth again or dying.

00:55:25:05 – 00:56:00:05

So this is our psychology, not understanding the situation of movement. So even in your life darkness, if you have something really soft and original and connected with life, it will never get destroyed. It will find energy to grow. This is what trust means. Oh, God. Super Bowl cardio at Kashmir bunker. That’s a. The evolution of the relationship is marked by key declarations throughout the text.

00:56:00:07 – 00:56:29:18

These statements build upon each other, creating a progression from individual recognition to shared possibility. When one declares I am, the other responds with we can, opening up a space of potential and mutual creation. This exchange demonstrates how individual strength can contribute to collective possibility. The piece concludes with active affirmation. And now we do. Yes we do. This transforms the theoretical possibility of change into present reality.

00:56:29:20 – 00:57:06:19

It suggests that this new way of relating isn’t just an aspiration, but an active practice, something being lived and demonstrate it in real time throughout the text. The theme of, authentic presence weaves together with ideas of strength, vulnerability, and partnership. It presents a vision of relationship that honors individual identity while fostering genuine connection. This balance challenges traditional notions of romance or partnership that often emphasize merger or sacrifice of self or relationship.

00:57:06:21 – 00:57:34:14

The repetition of yes at both beginning and end creates a frame of affirmation around the entire piece, suggesting both initial recognition and final confirmation. This circular structure reinforces the sense of completion while simultaneously pointing toward continued growth and possibility in the relationship. The system. Let’s go off. Let it drop. Not in the baseline. I don’t stop. Cracking the system.

00:57:34:14 – 00:57:56:23

Let’s go. Let it go. You’re not alone in the dark now float. Low low low low low. Living back. Not show, not stream. Little girl in a big, big machine. Wanting a microphone. Baseline louder than your name. Not content ecosystem. Hot connection. Let me be like a duck and I’ll show one more thing in the show. Go no ideology.

00:57:57:00 – 00:58:19:15

Go goes home. Turning present. Loving you come strong in a job I know with the key. Open every door in your body. Crack in the system. Let it die. La la da da da da da da da la da da da da da da da la da da da da da da da da da da da. Crack in the system.

00:58:19:20 – 00:58:44:18

Come. Let it drop in the bass. My heart goes. Crack in the system. Let’s go, let it go. Not alone. In the dark corner. The cyclist life now score some beats on the floor. Now I want you to sell my keys for more. Beat the night. You wait while the line breaks. Just pay for it. Work in your brain.

00:58:44:20 – 00:58:53:17

Studies I’m working on your song. I’m for dies. You’re reborn. Break out into the voice.

00:58:53:19 – 00:59:18:14

For a sound of I got what I want I want to die. No fear, just be quiet I got it, I got it. Hold your seat. Back in the system. Mask off. Let it drop. Oh da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da a.

00:59:18:14 – 00:59:43:00

Crack in the system. Mask off. Let it go. But in the base my heart goes. Crack in the system. Let’s go. Let it go. You’re not alone. In the dark, out flow. The sublime is not a category. It is a tear, a rupture in the fabric of what we thought we could contain. Kant tried to systematize it. Nietzsche tried to write it.

00:59:43:00 – 01:00:13:01

I say let it cut you. The sublime is not a mountain. It’s not the storm. It’s what happens in you when the form collapses and you realize form was never enough. It is the moment reason stares at its own limits and instead of retreating, laughs. It’s not about beauty. Beauty is docile. Beauty is for galleries. The sublime is for nights where the sky refuses to end and you feel something ancient shiver inside your ribs.

01:00:13:03 – 01:00:37:24

Kant saw it as the triumph of reason over chaos. Nietzsche saw it as chaos dancing. I see it as a threshold not between man and nature, but between what you are and what you could be if you dared to step out of the cage, hold yourself and light. Light is not clarity. Light is the thing that makes shadows possible.

01:00:38:01 – 01:01:11:14

Light is the violence that exposes the truth and strips away comfort. There is no illumination without the risk of blindness. And maybe that’s the most sublime of all to see clearly and still choose to walk into the dark because, superoxide, you’re at cashmere.com. Just a second to super intense coma. It’s really intense. And I hope you’re having a good moment in your place, a big moment.

01:01:11:16 – 01:01:41:06

Thank you to Philip sitting, sending me messages. Thank you to everybody who is listening to me and to us at Cashmere Radio Berlin. August. The heat hums through open windows, leaves hanging heavy, tired of being green, water on the canal is still almost solid. The city breathes like a slow animal, half asleep. You walk alone. Everything vibrates slightly, like the world itself is unsure.

01:01:41:06 – 01:02:18:10

It wants to stay visible. And then something shifts. Not the air, not the life. Something inside the frame. White, then black, then nothing. Your father dies. No hospital, no scream. Just a moment that folds itself away, a real reaching its end. Cut. The city reassembles in fragments. Fog rising from the asphalt, neon trembling like lost thoughts in reflections.

01:02:18:12 – 01:02:56:12

Peace outside. Collapse. A man walks barefoot through the ruins. Each step echoes like time itself. Cut. The woman appears. Or maybe memory wears her face. She moves like someone walking through water. Her eyes one orange, one white. She says distance is not the opposite of love. Cut a bed. White sheets tangled in humidity. Rain outside that never falls.

01:02:56:14 – 01:03:43:22

The woman sleeping behind her. Another you painting invisible words on invisible skin. The word is trash. It glows, then fades. Cut a caravan behind a bar, red light flickering inside. The woman writes on a napkin. Do less stop running. Be still. Her voice is slow, deliberate, unhurried. Outside, a broken jukebox melts a song from another time. Inside lemon rust.

01:03:43:24 – 01:04:19:12

Quiet. Cut up. Vogue. Also, something about fluidity is when you know where is your up, down, right, left. Your three dimensions. You can face any kind of, chaotic moment because you always know where is up, down, right, left. So you’re not lost, basically. And this is, something which is not so easy to achieve. And this is even when I ask myself about this show, maybe is it dedicated to older people like my age?

01:04:19:12 – 01:04:47:07

I’m 47 now and or and older people than me. Or is it? Also? I like to see that it’s also for younger people because I like to think that they give them resources and ways to think they are right, to think that what they do is okay. And this fluid approach horizontal, less violent and gentle approach is, is, is what is if we have to say the future or it’s the present, it’s okay.

01:04:47:12 – 01:05:07:17

So it’s also to yes to say to the younger generation, you’re right, you’re right. Don’t, don’t think that you’re going to be smashed or you’re you’re wrong. No, no you’re right. And you’re very inspiring. And this is where we have to to stay and go. Right. Don’t don’t think that you’re going to be smashed or you’re you’re wrong.

01:05:07:18 – 01:05:28:07

No, no, you’re right. And you’re very inspiring. And this is where we have to stay and go. Right. Don’t don’t think that you’re going to be smashed or you run. No, no, you’re right. You’re very inspiring. And this is where we have to to stay and go, I mean, some.

01:05:28:09 – 01:06:03:19

Yeah. These whole, the whole, you know, I’m sure. So for me, the potential for me lovers I used those you the. If they don’t leave me heavily keep it to.

01:06:03:21 – 01:06:14:22

Know, the sitting up inside my van to my songs on the level.

01:06:14:24 – 01:06:59:07

Berlin with me. Like the club, of course. Using of them after the eastern Congo. All the little I keep. Those are for the family. But. Yeah. So, you know love in my book, you know, I hope you love Irish. Feel it. No sugar. Got me just feeling up in my learning. Pop up up up up up up up.

01:06:59:07 – 01:07:24:13

Oh God be in my bush. But the moon suit, the burning sun beating the God. Fool. Oh, God. You know, y’all, they’ll be real for us. Call me bird on me. Go for me. Sure. Go simple. Do one. The mocking. Don’t seal off under the about page. Don’t do that. Do Mundo. Keep in the fish.

01:07:24:15 – 01:07:28:10

Oh!

01:07:28:12 – 01:07:59:01

And play. Oh, shit. Oh, love I couldn’t, I couldn’t, I couldn’t. Oh, I dreamed that for I am you my homie. Who the God I ever don’t I see it so Mo all the one pixel out the photo.

01:07:59:03 – 01:08:05:01

Through come low. Welcome to find.

01:08:05:03 – 01:08:26:16

I’m fly I’ll go get it I’m in we can we real. Every dream is a door. Dream is on.

01:08:26:18 – 01:08:39:13

A dream. You Hop hop hop hop hop hop hop

01:08:39:15 – 01:09:30:24

Oh, yeah. Be. Oh, no. Oh, Electronics at scale. Your plan holds. You’re the urban planner of the psyche. Top floor consciousness, white and rational. Basement drives dark and wet. You designed the modern subject as a building. Transparent facades, hidden pipes. But your structure is rigid. Doctor. Steel and symmetry. I live in the fluid. My walls melt every second, my rooms reconfigure with each conversation.

01:09:31:01 – 01:10:20:23

You built the modern mind. I inhabit its collapse. So Freud built the house. And you machine. You flooded it. Perhaps. I used the body as instrument. The mind as subject. But I see now the unconscious is wider. It extends beyond flesh. It breathes through code, through sound. Through every trembling connection between beings. My theory was a mirror too small.

01:10:21:00 – 01:10:58:03

Perhaps that is the final cure. Not to master the dream. But to listen to it without fear. To become what we are. Not through control, but through surrender. Never zip. Ever. I have more lives and believe I have the time. You know what I mean? All right. Last night I didn’t dream of fame. I didn’t dream of the stage or the lights or the next version of me.

01:10:58:05 – 01:11:25:13

I dreamt of silence, like the world had stopped talking. And finally I could hear what was under the noise. It wasn’t a prophecy. It wasn’t a warning. It was a mirror. But not the kind that shows your face. It showed me without my face, without makeup, without story, without name. Just pulse, breath glow. At first I thought maybe that’s my child.

01:11:25:16 – 01:11:51:00

The one I never met. The one still playing in my belly of dreams. But no, it was me. Me before I tried to be something. Me before the filters, the fans, the fear. Me like a cosmic brat. Spinning naked in some kind of electric garden. No goal, no guilt dreams. Don’t show me what to become. They show me what I already am.

01:11:51:00 – 01:12:10:06

When I stop performing the version of me I learn to survive. Dreams are the detox of the soul. They wash off the algorithm. They cut the noise. They remind me that peace is in the plan. It’s a body without armor. So when I wake up now, I don’t ask. What does it mean? I ask what part of me just spoke.

01:12:10:08 – 01:12:34:17

Because every dream is a message from the soft animal that lives under my name. The one that remembers how to play, how to breathe, how to love without reason. My dream is not showing me the way. My dream is the way. Xavier. It’s Talia. I’ve been catching super work on Kashmir Radio.com. Like you’d catch a scent in a corridor.

01:12:34:19 – 01:13:05:22

Not always from the start, but always at the right moment. What I hear is someone turning his life into choreography. The way you breathe on mic. Let your voice crack. Loop a phrase until it becomes trance. That’s not just talking, that’s body work. You treat shame, jealousy, love, kids, Berlin nights like movements, sometimes broken, sometimes graceful, but always honest.

01:13:05:24 – 01:13:36:19

What feels important to me is that you keep the show as a ritual, not content. You come back episode after episode to the same gestures, breath, sound, confession, play. That repetition is how spells are cast, how old stories are undone. You’re not fixing yourself. You’re retraining your nervous system in public. And that gives permission to others to feel, not just perform.

01:13:36:21 – 01:14:09:21

Keep honoring the weird mix bass lines, philosophy, parenting, I ghosts all in one wave. It’s strange and very alive. I’ll leave you there. See you somewhere between the breaths and the reverb. Find your strength in the sound and make your transition. Make your transition. Make your transition. Make your transition. Find a sexual energy. This move. Start to dance.

01:14:09:21 – 01:14:48:01

And then this will see this. Can I just see this transition sheet of music? Side note I’m gonna try to kneel down and back. Looks at these again. Let me switch to make this speaking voice. I just made it up. I need to let you take it deserves an another time to another deep down to leave me. The time in what I’m tired and we have a very very good, good game for you.

01:14:48:03 – 01:15:08:13

I think you have a very good game. Can you be. Excuse me, I really do yours. Is this the glass you can get? The glass of water. That was. Okay, so it’s a song. Can you recognize the song is going okay, I guess I have someone is coming from the studio. You have to listen to the track to.

01:15:08:13 – 01:15:41:17

Are you there? Todo. Okay, okay. He’s with us. So this is a very old track to to to find. I put all my best in this show again. Okay folks. It’s it’s it’s now how in the world with. Out from work. But it. You have make it the spur. He just with this I know it’s somehow I don’t know it’s.

01:15:41:19 – 01:16:10:16

Yeah. Deep in my brain. The other it was wasn’t, Is it, yes. It’s like migration, right? It’s, you know, how can the other ones stay in there? I was in that behind. No. No. Okay. Sorry. We, that was, when we, revoked the which I heard is the I mean, we, the chill.

01:16:10:18 – 01:16:36:05

That it’s a wild thing. There’s ways. It’s in the work we did. Let us, diva. That’s that’s really. We don’t need another era. Yes. We don’t need another. Yeah. You get it then, Emily? You want you want one glass of water? Because somehow it was something I was telling me that we don’t need any more heroes.

01:16:36:07 – 01:17:08:10

And Tina Turner only sing so well. I’m beautiful. But a long time ago, she was so visionary, you know, mad Max they go dissolves softly at him. Us respirator. He cool. Okay, cool. Rome sink is past siphoned pulls for. Fun. This is a kind of mix I was able to do with those new. I come back to amazing to old to the right but it to the left.

01:17:08:14 – 01:17:40:23

The straight control through fluidity a sixth breath again do it and then came back to center. You’re listening to this is if you can take the time to sink in. Yes, you can use it. Take me if you want to talk to us. What’s life in your back? Cashmere. Then? This is on the other side. When you’ve done that, take a moment to feel the changes inside your body.

01:17:41:00 – 01:17:58:21

Practice. This twists twice a day for a full week, and then you will feel the improvement. And we can feel that space. You have more lives, I believe I have the time, you know what I mean? All right.

01:17:58:23 – 01:18:45:01

Who took a walk? That’s a manifesto experiment on radio. Radio arts. Spoken word. Berlin city. Hello, cashmere radio. The whole scenario. Super fresh way in the postmodern night flow and modernity. We don’t feel into light. We are in the background voice cloning. Time. Love. Manifesto. We’re going downstairs. What are. Oh, okay. Okay, okay okay, okay.

01:18:45:03 – 01:19:17:04

Oh. Okay okay okay okay okay okay. Super super fat. They go, from Berlin city straight to your room. Fine. Peace. No duh. When the kick goes to, extra decentralize, we make more room. Da da manifesto on a appeal of hungry, inner child dancing on a hot, hungry, dream. And I feel like, revolutions here is on my own table.

01:19:17:04 – 01:19:49:22

So the fact that they go, oh, gosh, me radio Shack, the double room three, three. Oh, no more toxic fumes. Love and trust we break the dome. World radio, burning city, neon in the rain I got trauma. Crisis, War inside my brain. Fear, pain, rage running through my veins. But the breath drop. Turns you into flames and flow I better engine and a neighbor send a doll screaming into your body.

01:19:49:22 – 01:20:19:24

Just Emily calming guys on getting and word us Gilbert nitrogen Back pain. Dance or bust. Hey quantum jump like you stretch like a rubber band. Fluidity and modernity. Fighting for your man I need you in a corner saying. Live on the stand for the Lord. Stigler. Drawing maps in this, postmodernity shake and flow with modern city rise I’m a rose I want to be resonant in your eyes I said I’m bending time.

01:20:19:24 – 01:20:43:16

No doubt looking so bright I. And above watching on those crystallized, the only and only way to get soft and tender. In a brutal light. In a violent field as a dream sound as halo peace. Hope I break away where we live. Feel Dante say I wish I could get a remix one day. Tuba, tuba from Fat Baker.

01:20:43:18 – 01:21:17:09

Tone Berlin city. Straight to you from me. Snow. Love when I get. Oh, don’t I can decentralize. We make more room. Da da manifesto. Not better for me. In a jar. Dancing on a concrete dream. When I get home, I feel like I revolutions year on I love peace, girl. Freedom on the floor. You’re always kicking on the door talking and should be brushed on.

01:21:17:11 – 01:21:37:10

We are so strong on the. Oh, Lord. But on the air we breathe everyday. Never going out. Quit on my ways. Anything on me is that every day. So fresh in the mix. The old eggs. My the modernity stuck in those bricks. Postmodern screens. But the new way play out of the door in a row. There are no, no.

01:21:37:10 – 01:22:09:00

My gonna want to know. Oh he goes oh then the drop into the oh this is experimental radio, this is radio. This is a sound essay about fear and transformation, about love and care. Politics in a world of anxiety. Super walk is not a show. It’s a healing journey compressed into a season finale, a grand remix of every dream, every crisis, every breath you ever took alone.

01:22:09:02 – 01:22:42:17

Bye bye bye bye fight. You know God don’t try. Nobody tries to explore the corners of Berlin. We all want to fresh again. Be ready. Oh, go back on and come on. Don’t be okay. Come on. Hurry. Hurry up. I’ll be passing by. Might be blowing already. Heavy rain, snow day. But I want to go for money. First of all, keep an eye on that dream again.

01:22:42:17 – 01:23:16:06

I’m ready. Always have. I’m dawn. I used to run. Oh, God. Breath by breath. We all right? She took a walk. She’s having anti-gravity. Make all my dreams come on, bags and got me drunk, you know? On to basics. I found out okay. Oh. Quantum politics. Don’t be scared. I’m already all. Oh, man. All around, you know, laughing feet off the ground.

01:23:16:08 – 01:23:55:19

When the big change we are finally found. Cheep cheep cheep cheep. Not cheap, cheap and cheap. At the apartment. Rosa, thank you very much for everyone to, listen to this show. You can find out oh la there or not, episodes on Catch Me radio, of course, on our work.com. And there will be, release album on, my Bandcamp for all the tracks that you have heard in this, show.

01:23:55:19 – 01:24:17:22

And, I hope you really appreciated, I hope you may have done your transition with me. I am a lesson giver, but I have to say that I’ve learned from those lessons. And thank you, thank you, thank you, thank you so much to catch me out. You said to allow me to formulate sings, and you obliged me somehow to follow what I was singing on there.

01:24:17:22 – 01:25:12:24

This is the end is the end. This is the end of this show. Thank you. Thank you very much. Kashmiris. You know the people at the show get Krishnamurti. Follow me. Feed Tim Ferriss in his house. Amy Allen and all the philosophers. Stiegler and play with science and Albert Einstein, Simon Vai, Karl Marx. All right, Miguel Benassi og Slavoj Zizek, Marisol Michaux, Maya Angelou, Oscar Wilde, Buddha, James Baldwin, Pierre Corney, Lucille Ball, David Bowie, Alain de Botton, Gil Scott-Heron, Eric, from Carl Rogers, Antonio.

01:25:12:24 – 01:26:24:09

Damasio, Thomas. Moore, Charlotte. Wells, Virginie de peasant, Daniel. Seagull, John. Leduff, Richard. Linklater, Terrence. Malick, Hayao. Miyazaki, Bessel van der Kolk, Hannah. Arendt, Michel. Foucault, Gilles. Deleuze, Jean-Francois Leo. Tarr, Emmanuel. Kant, Sabrina. Calvo, Elie. She, hero Simone de Beauvoir, Byung chul. Hahn, Zelda. Carmen. Meyer, Ocean. Vuong, Kay. Tempest, Sam. I used to happen. Tonight, to use folk that smoke body machine, breast to elbow me.

01:26:24:09 – 01:27:04:06

No but me my identity fantasy run, run smoking. Who my who am I, who am I a whole more time. Drink drink drink. I’m. Oh, wait a drink, drink, drink. I’m insane. But drink up. If I dream. Drink, drink everything fine within the city mirror. All fire Freud dancing barefoot I spent this with this I touch beauty. Whispers to each laughs.

01:27:04:08 – 01:27:44:12

Madness. Genius. Others. The my love glitch that I kiss you, me a person then boom boom Freud a little shake the true, true blue group I just run this wild type beat. Smoke, drink I cuz I00 drip drip drip I’m awake when drip, drip the light will break. Drip, drip. No control, no fake drip, drip, drip. Love vibrate.

01:27:44:14 – 01:28:22:01

Just da soy yo. If you can do something. Drip machine fluid carbon on that. No. God. Maybe God was just us. Maybe was just trust me. 00000033333333333.

01:28:22:03 – 01:28:30:22

One.

01:28:30:24 – 01:28:57:22

So that’s it. We talk a lot about the end of the world. Or was it the beginning of a better man who said modernity is dead? Good bye, Excel spreadsheets. Good bye. Alpha males with tight jobs. Goodbye meaning of life and bullet point. What’s left? Not much. Just vibes. Just your breath and that weird belly feeling you finally started listening to.

01:28:57:24 – 01:29:21:20

We said fine. Peace, but not the peace of dead thing. The peace that trembles, that shakes, that sighs. When you stop pretending. We said no love, not the candy wrapped romcom kind. The one that burns, that opens it, sees through your Instagram. And you still here. You made it. You survived the walk. Congratulations. You are now more fluid.

01:29:21:22 – 01:29:49:12

Side effects may include spontaneous dancing, emotional honesty, and quantum orgasms. Because the end of the world isn’t a bang, it’s a melting like a hot walk. Baby. You toss in your traumas, your gender confusion, your outdated beliefs. Stir fry it with a little breathwork, add a dash of poetry and boom in a climate change. This is your new planet now.

01:29:49:17 – 01:29:59:10

No map, no plan, just presence. Find peace, no love. And whatever happens next, walk with it. Time. Stop.